Archive for March, 2007

Manila workshop: Day seven - 6 p.m.

SATURDAY, 6 P.M.

What a wonderful day around town we’ve had.

Kris decided to sign up for the same half-day tour of the city that I had planned. We met downstairs just in time to see our pal Tonia off for her ride to the airport. She’ll arrive in Toronto about the time Kris and I fly out of Manila early Sunday.

Our car took us across town to the business district, which they call Makati. We picked up two other tourists, a man from Singapore and a Korean lady who lives in Portland, Oregon. Then, they took us to the World War II U.S. military graveyard nearby, on the east side of Manila.

The WWII memorial

The place seemed very much like Arlington National Cemetery, for obvious reasons. There were thousands of stone crosses — 17,206, I’m told — lined up on the rolling hills, with the occasional Star of David mixed in.

As usual, click on the thumbnail for a larger view:

Crosses on the hillside

Columns

The coolest thing I saw there: Inside the memorial buildings were giant murals depicting key events of the battle in the Pacific: The Battle of Leyte Gulf; the Battle of the Philippine Sea; the Battle of Midway; the retaking of the Philippines by MacArthur, and so on. These suckers were huge — 30 or 40 feet across.

The big honkin’ map

There I was, side-by-side with the editorial director of National Geographic Maps, standing at the foot of the biggest map I’ve ever seen. There’s some kind of “coals to Newcastle” joke in there somewhere, but I’m too tired to fish it out.

Kris shoots the maps

Next, they drove us by the Mall of Asia — the third time I’ve seen the place — but the tour guide explained how the place was built on land reclaimed from Manila Bay. Then we drove past other landmarks also built on the reclaimed area — the film center, the Cultural Center of the Philippines, the Coconut Palace.

The latter has an interesting history. Imelda Marcos had the Coconut Palace built to house Pope John Paul II during his visit here in the 1980s. Offended by the flagrant opulence of the joint, the Pope refused to come near the place. Marcos used it to occasionally house her alleged boytoy, actor George Hamilton. We didn’t go in. But it was nice to see where it was.

Rizal memorial

We stopped at Rizal Park, where national hero Jose Rizal was executed in 1896. A monument there is protected with an honor guard. Across the street is a monument to the national animal, the water buffalo. Our guide told us we couldn’t leave the Philippines without a toy jeepney and a small, wooden carved water buffalo.

By now, we were back within site of our home-away-from-home, the Manila Hotel. I’ve posted about it before, but basically, for nearly a century, it’s been the most prestigious hotel in the region. Heads of state stay here when they visit Manila. This is the place to hold wedding receptions, as we have seen many times this week. As I type this in the wifi-equipped hotel bar, a big graduation party for nurses is going on in the lobby.

The lobby pianist is playing “I Write the Songs.” Bruce Johnston rawks, dude!

Anyway, Gen. Douglas MacArthur had his headquarters here in the years before the war. When the Japanese took over Manila, they used the MacArthur suite as a headquarters. I’m told they wrecked the place when they left, so the current suite is a reconstruction.

We then went to Intramuros, the old 400-plus-year-old Spanish-built walled city in the center of old Manila and directly across the street from my room here at the Manila Hotel.

Our first stop in the walled city was a state-run store that sold only crafts made by Filapinos. I had already bought a few souvenirs, but the prices were so good and the folks there were so nice that we couldn’t resist. I found a nice book of Manila in World War II that fascinated me. We also picked up the obligatory jeepney and water buffalo. Perhaps they’ll let us leave the country tomorrow after all.

The old Spanish fort in Intromuros, Fort Santiago, was fabulous.  Lillypads line the old moat in front of the gate. Again, click for a larger view:

The moat and the wall

The big gate

Rizal

We saw a beautiful statue of Rizal, the prison where he was held by the Spanish and even brass footprints that show where he was marched through the fort and down the street to his execution.

Footprints

Lower-level storage areas in the old fort tended to flood at low tide. We were told the Japanese used these chambers as dungeons. They’d lock in captives, who would then drown when the tide rose.

The dungeon

Across the Passig River from the old fort is another downtown area of Manila, called Quiapo. The buildings weren’t as new or as spiffy as what we saw across town. But it was still very interesting.

Like much of the rest of the city, Intramuros was damaged horribly by the Japanese during the war. Our guide told us the city had been devastated by typhoons, by volcanoes and by earthquakes. If it wasn’t nature smiting this country, it was its regional enemies.

Walking atop the wall

Walking atop the wall.

We has quite a bit of time to poke around and take photos. As I type this, four hours later, I’m amazed neither Kris nor I seem to be sunburnt. Man, was it hot and humid. The sun is brutal here in the Philippines.

I got awfully dehydrated. Kris took pity on me and found a vendor of bottled water.

Wild cats

Wild cats and chickens roam the old fort.

We stopped to check out a couple of old cathedrals before we headed back to the hotel. Kris and I ate a veggie pizza and a burger, respectively, in the hotel restaurant while I tossed back a lot of fluids.

Those green mango drinks are very cold and very tasty. But why are they named after Susan Mango Curtis?

Kris and I debated what to do next. We thought out hitting the pool, but man, you wouldn’t believe how damn humid it is here today. The air conditioning felt so good that we decided to retrieve our laptops. She’s working while I blog here in the Taproom, the Manila Hotel’s lobby lounge. She’s very kind to allow me to tag along.

While I was in my room, I found a note from the front desk: Someone had left me a package at the front desk. It was a very rare — at least in the U.S. so far — Star Wars action figure. Mike and Angel from Singapore must have found it at the mall and decided to give it to me. I can’t think of when I’ve been so touched.

Our plane leaves very early — 6:45 a.m. The hotel says they’ve already arranged for a driver to take us back, but we’ll need to check out by 3:15 a.m. Egads.

We go from here to Nagoya, Japan, where we have about a 90-minute layover before we set out for Detroit. There, Kris and I will split up — Kris flying to Dulles airport in D.C. and me going back to Norfolk. I hope to arrive around 3;30 p.m. Sunday. I imagine I’ll be tired as hell.

Wish me luck.

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Manila workshop: Day seven - 2 a.m.

SATURDAY, 2 A.M.

I’m now officially in my last day here in Manila.

After the show ended, Peter, Kris, Tonia and I sat by the pool to kill a couple of beers. Then, we took a hotel car a few congested blocks away to this wonderful Spanish tapaz restaurant, where our hosts — the fine folks of The Manila Bulletin — treated us to an enormous spread that you wouldn’t believe. The amount of food was just staggering.

The speakers

The speakers, from left: Famed Sydney-based newspaper consultant Peter Ong; yours truly; Tonia Cowan, graphics director of The Toronto Star; Kris Viesselman, editorial director of National Geographic maps in Washington, D.C.

I ate these enormous shrimp that seemed more like small lobsters. Their tasty little bodies even clung to their shells just like lobster.

I also ate a lot of other stuff that I’m not quite sure I ever identified — mostly chicken and pork. It was all very, very good; not in the least bit frightening. We washed it down with red wine and sangria.

Tonia and Kris warned me how sangria can sneak up on you, so I was careful not to overindulge. It really does taste like high-class Hawaiian Punch. You can’t detect the booze at all.

Through it all, a three-person guitar band serenaded us. Most of their songs seemed to be traditional Spanish or Filipino, but they slipped in a few Sinatra tunes as well. When they broke out in a really interesting version of “Dancing Queen,” however, we lost ourselves in a giggling fit.

Once we were done, we walked back to the hotel, passing through a nightclub district and then walking up the famous Manila baywalk, where live bands play and vendors sell food on the sidewalk. The place was alive with light and sounds. And to our left, we could see the distant lights of ships and barges on the bay.

It was a special evening for us all.

By the time we returned to the hotel, we didn’t really want it to end. Tonia had to leave us — she has an early flight Saturday — but Peter, Kris and I sat around the lobby and had a couple of San Miguels.

It’s kind of sad that our adventure is ending.

I signed up for a half-day tour of Manila, starting with the old Spanish ruins of Intramuros, across the street from the hotel. Kris wants to go, too, but she didn’t sign up yet. We’ll see tomorrow morning whether or not she can add herself to the group.

I’m not quite sure what I’ll do after that. I might pop back over to the mall. Or perhaps I’ll explore the area here a little more. I need to pack, though, because our flight to Detroit — Kris and I are on the same plane — leaves Manila at 6:45 a.m. Sunday. The folks here at the Manila hotel have already lined up a car for us, but they’ve urged us to check out by 3:15 a.m.

Kris’ plan: Just don’t go to bed Saturday night. Sounds good to me, too.

I’m not sure just how much juice I still have in my camera, but I’ll try to take and post more photos before I leave. I arrive in Norfolk mid-afternoon Sunday, EDT.

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Manila workshop: Day six - 4 p.m.

We officially ended the workshop a few minutes ago. Peter showed a quick excerpt of a few other Javier Zarracina shows. We shot group photos and called it a day.

I’m going to miss this group. Please click on the photo for a larger shot:

A group shot of Friday’s crowd.

Next: Beer and dinner. In that order.

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Manila workshop: Day six - 3 p.m.

FRIDAY, NOON

Peter’s morning session was on STDs.

My God, Apple, I hear you say. Just what kind of workshop are y’all teaching over there?

Peter really hates the term ASF, or Alternative Story Forms. So he uses STD: Story-Telling Devices. Not only does that acronym catch your attention better than ASF, it also serves as a clever way of making fun of acronyms. After all, no one will miss a session on STDs, right?

Peter talks STDs

Peter showed many, many examples of short stories, breakout boxes, stand-alone graphics, charticles — whatever you want to call them. As I type this, he’s showing a series of grid-based designs. He says he loves grids. I do too — I showed a number of them on Thursday. Again, it’s really cool how all this ties in to our other sessions.

I was delighted when Peter showed a few examples from the Raleigh News & Observer. Seems like you don’t hear much about those guys these days, but they’re doing some really cool stuff — especially with this short-form stuff. My pal Teresa Kriegsman runs a great team there.

[Side note to TK: Please get well soon.]



FRIDAY, 3 P.M.

Lunch was wonderful, yet again. I had some sort of fish, in a lemon-like creme. And the Caesar salads they’ve been serving are the best I’ve ever had.

I also want to take a moment here to thank someone who’s been a great personal comfort to me yesterday and today: Alfred Monilla, Jr., a waiter here in the Champagne Room of the Manilla Hotel.

When we moved in here Thursday from the larger room, I mentioned to Mr. Monilla that I really needed to get a refill of water from time to time. They gave us water Wednesday morning but then didn’t give us any more for the rest of the day. I got awfully dehydrated. I think that’s a big reason I felt so poorly Wednesday evening.

So after my request, Mr. Monilla came over every few minutes and kept my glass filled. In fact, I began to fill guilty that he had spent so much time fussing over me. I told him today that I didn’t mean to send him to so much trouble. “I was afraid I was distracting you,” he said. “It’s my pleasure to serve you.”

[Side note to Bob, Miranda, John and Ken: How come you guys don’t say things like that to me?]

Anyway, I had to go out to the concierge desk to ask if it’d be appropriate to do something for him. Apparently, it is. And now, I’ve done something else; something he’ll probably never see. Mr. Monilla: I felt a lot better Thursday and today, thanks to your attention.

Me and Mr. Monilla

Mr. Alfred Monilla, who kept me very well-hydrated Thursday and today.

So, as I walked into the lobby, I ran slap into a huge crowd of Philippino and Chinese folks. There are TV reporters and cameras, print reporters and a couple hundred people gathering to watch.

I was delighted all these folks came to see me. But then someone told me it was some kind of political reception. Whatever.

Kris, Tonia and Chuck

We’re coming down to the end now. Only a couple hours to go. Man, have these past couple of days gone quickly.

As I type this, Kris is discussing intelligent use of color in news design and graphics. She’s shown a lot of work from Stephanie Grace Lim — formerly of the Merc — and Eric Wong of The San Francisco Chronicle.

Color isn’t a decorating tool. It’s a form of communication. You can use color to draw the reader’s eye to a particular point on the page. You can use color to convey information. You can use color to set a mood. You can use color to accentuate your content.

Kris talks color

But you can only do this if you’re aware of what colors mean to your readers and the effect different colors have to our work. I’m not convinced most folks in the business understand this.

If you use color to convey information, make sure you use it consistently throughout your piece. We’ve seen a couple of examples of designers changing a color key in the middle of a page or a graphic. It can be awfully disconcerting for a reader.

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Manila workshop: Day six - 11 a.m.

FRIDAY, 11 A.M.

My morning session seemed to go very well. No major glitches or brain farts, despite my last-minute tinkering. I like the way all our sessions seem to be relating to each other.

I discuss the relationship between double-edits and text graphics

I discuss the close relationship between quickie text graphics and what the Pilot calls double-edits.

My topic was on the art of scrounging. I showed examples of centerpieces and graphics that were thrown together quickly — or could have been — thrown together quickly. I showed pieces from Sam Hundley, Josh Bohling and some of my own staff at the Pilot and from The Des Moines Register.

I asked folks to compile their resources ahead of time. Find and buy the reference books you need. Keep them organized in a way you can find them quickly. Bookmark the most helpful web sites you’re likely to need. As you design, though, work to make sure your visual leaps from the page.

But most of all, keep content foremost in your mind. If your last-minute design doesn’t support the story or the topic, then you’ve just created a very nicely-designed piece of crap.

Immediately after, Tonia Cowan of The Toronto Star spoke on building bridges between your visual teams and the rest of the newsroom.

Tonia spit out this little gem: How do you know you need a graphic with a story?

“When the editors are talking and their hands move. They’re talking about the space shuttle and they say, ‘Pshewwwwwwwww….’ ”

She moves her hand in a space launch-motion.

“You need a graphic. Their hands come out of their pockets.”

Tonia discusses building bridges with word people

Tonia, keeping her hand in her pocket.

She went on to show us this really stunning interactive presentation of a fatal hit-and-run DUI case. The story itself was stunning, but the way Tonia’s team handled the graphic was spot-on. She told us how the reporter got her folks involved early in the process and how so many story elements were worked out with the animation that it made the print version go relatively quickly.

Tonia also said that the real key is for artists and designers to get involved in the early part of the planning process. “You need to be there when they have their early story sessions,” Tonia said. She showed us other examples of how The Toronto Star visual team has built bridges with the word folks.
Listening to Tonia

The Singapore crowd listens to Tonia

In order to prove her point about communication, she had one of the attendees describe an abstract shape while the rest of the room tried to sketch what he described. It was amazing how well all the folks picked up on the verbal cues to draw accurate sketches.

What a great exercise. I’ll have to steal this idea.

Great stuff. The folks here ate it up.

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Manila workshop: Day six - 8:30 a.m.

FRIDAY, 8:30 A.M.

We received a nice note in our hotel rooms:

Please be informed that the organizers had made arrangements with the hotel with regard to your airport transfer requirement. After checking-out at the Front Office Cashier Counter, please proceed to the Transportation Desk for your shuttle service.

Ah, they’ve already set up transportation to the airport Sunday morning. That’s great!

But then there’s the next sentence:

For international flights, check-out time is at least 3 1/2 hours before the flight schedule.

OK, sounds reasonable. Let’s pull out the tickets to see when I’ll need to be downstairs…

It’s a 6:45 a.m. flight. That means check out by 3:15 a.m.

Oh. My. God.

That means we’ll need to turn in early Saturday night, I said to Kris. She shot back: Or just stay up.

Oh. Yeah. That works, too.

I enjoyed a nice breakfast with Peter, Tonia and Kris. Tonia told us some great stories about Kevin Hand — she worked with him much longer than I did — and some really wild stories about herself, too. Believe me, the next time I run into her on the speaking circuit, she’s toast.

We’ll begin the final day of our workshop in about a half-hour. I start off the day talking about the art of scrounging. I stayed up late last night, after our dinner excursion, rearranging my show. I think it’ll play well.

Friday morning blogging

Blogging before the morning session. Please note I’m wearing the cool Batman Hawaiian-style shirt that Sharon made me for SND/Orlando trip last summer. 

After that, Tonia talks about graphics for word people. This afternoon, Kris talks about how to use color effectively in graphics and in design.

I’m not quite sure what else we’ll be doing today. Peter was going to speak on photojournalism, but he moved that up to yesterday. We had planned a round-table discussion on various graphics and design issues; perhaps we’ll do that. And the hands-on exercise Peter conducted yesterday went over well. Perhaps we can do something else off-the-cuff.

I ran into a number of attendees last night after the session and again this morning at breakfast. Everyone seems so positive about the workshops and about what they’ve heard. I feel like we’ve done a lot of good work here this week.

I’d better get ready for showtime…

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