Monthly Archive for March, 2007Page 2 of 6

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Manila workshop: Day five - 10 p.m.

10 P.M. THURSDAY

Peter finished the day with two sessions — one on photojournalism and then an unplanned bonus session on visual ethics.

The photo session was just plain fun. We saw lots of great photos and heard suggestions on how to work better with photos and photographers.
Peter discusses photojournalism

But questions of ethics kept coming up: Can you use Photoshop? How do you label a photoillustration? What damage do you perform on yourself when your readers spot an image they don’t trust?

So Peter whipped out a presentation lurking on his hard drive in which he covered some of the photojournalistic ethics issues that have come up over the past few years. It made for a fabulous end to another great day.

Peter on visual ethics

Tonia was pretty tired, so she went off to bed. But Kris, Peter and I decided to go out for dinner. We took a very exciting cab ride back over to the Mall of Asia, where I had visited briefly on Wednesday.

My Wednesday excursion was in a hotel car, using a hotel driver. It was a very pleasant ride. At no point did I feel in danger.

Not so tonight in a cab. Manila cab drivers don’t drive fast, but they drive very close to the cars next to them. They’ll spot a tiny opening between two cars and then gun it to make it through the gap before it closes. I had to close my eyes a few times.

When a Manila cab driver changes lanes — and I think they’re required to do so every 3.75 seconds — they honk their horns. That’s their way of saying, “I’m coming over. Make way. Or get sideswiped.”

They drive with one hand on the steering wheel and the other hand on their horn. That leaves them no hand with which to flip off the other cab drivers.

But then, that’s the beauty of it. Everyone seems to drive that way. So no one seems to get upset. Except the poor dumb American in the back seat, who suddenly wants to go back to the hotel so he can put on a dry pair of Dockers.

Anyway, it was a bit early for dinner when we arrived at the Mall of Asia, so we decided to take a walk through the mall. It’s a beautiful place, half enclosed, American-style, and half open-air. I was impressed with how many bookstores there were — at least five that I saw; the official directory tells me I missed a couple. When is the last time you found a mall in the U.S. with that many bookstores?

The mall was alive with color and sound — much more so than American malls. Everything was so lively. The number of employees seemed huge — everywhere we went, there were two or three salespeople to make a fuss over each of us.

We went into one giant place — the SM Department Store; apparently, Manila’s version of a Target — where Kris and Peter began looking at some Philippines-themed gifts. Immediately, three or four young ladies surrounded us, helping us look for items similar to what Kris seemed to favor. After Kris picked up three or four items, another girl materialized with a shopping basket and then again with a shopping cart.

I noticed that all the salespeople in the store wore color-coded uniforms. The check-out girls wore blue; the clerks in this area wore another color. I kept seeing numbers of young men wearing yellow; I never did figure out what department they worked in. I felt like I had been dropped into an old Star Trek episode.

Kris and I loaded up with souvenirs for folks back home. I found a T-shirt that my daughter is going to love. Kris bought the most interesting vase — I think it’s a vase — made of carved banana tree husks.

I decided to find an ATM so I could get some more of these Philippine bills that have so damn many zeros on them. The first one I tried didn’t work at all with my American ATM card. The second one came through for me: The China Bank. Hmm. Must be good karma for the work I’ve done with Chinese interns.

When I spotted a toy store, I just had to go in. Their selection of toy cars was much better than anything you normally find in a Wal-Mart or Target. The action figures were pretty decent, but not great. Although I did see something I’d love to have: An 18-inch-tall action figure of John Lennon. It was about $65 and it would have been hell to get it home. But wow, what a conversation piece.

The mall has a skating rink and an Imax theater. And I’ve never seen so many restaurants in my life. Just astounding.

We decided on this neat little grilled food place that looked sufficiently local yet chain-like enough to look good. As Kris noted: Well, it’s certainly popular. They had a good crowd. The place looked a lot like the Philippino equivalent to an Applebee’s. Except there were no fathers of NASCAR drivers trying to get kicked out.

We ordered grilled fish, grilled chicken kabobs, grilled calamari, grilled veggies, garlic rice and beer. Very, very tasty stuff. And the atmosphere in the place was wonderful.

When they brought the bill, we checked it against the handy pesos-to-dollars cheat-sheet I made back on Tuesday. Dinner for three cost us not much more than $20.

I don’t think I could live here. I’d very rapidly put on another 300 pounds.

We took another death-defying cab ride back to the hotel. What a great evening.

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Manila workshop: Day five - 3 p.m.

3 P.M. THURSDAY

Yet again, lunch ran very long. But it was very good, and the discussions we have seem to be very productive for the attendees. So I’m not complaining.

Peter started the afternoon with a session on page design. I nearly fell out my chair when the very first page he showed was the piece Bob Voros did last year on baseball player Michael Tucker. Yesterday, we talked about the power of sketching — you should physically sketch your idea out on paper. It’s a lot easier that way to not only think out your idea, but also to sell your idea to your editor. Peter showed Bob’s sketch and his drawing.

Bob, if you’re out there: Good job, my friend.

Check out Bob’s work here:
http://www.newspagedesigner.com/portfolios/portfolio1.php?UserID=1540

Peter teaches design

Peter showed us a great overview of page design: Using typography, color, illustration. As I type this, he has assigned each table to produce a rough sketch of a front page that would illustrate a hostage situation that happened here in Manila yesterday. Nothing like a little hands-on exercise to get the crowd engaged.

Peter’s exercise one

Artists from the New Straits Times in Kuala Lumpur discuss their approach to the exercise.

Peter’s exercise two

Peter’s exercise three

Peter’s exercise four

Some of the ideas were terrific. These guys incorporated many of the ideas Peter raised in the session.

Pamela Lim shows a sketch

Pamela Lim of the Manila Bulletin shows her work.

Showing their work

Jepoy Soriano and Percival Lugue — also of the Manila Bulletin — discuss their sketches.

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Manila workshop: Day five - 12:30 p.m.

11:30 A.M. THURSDAY

I said I’d find out how many design folks Peter had in his design session this morning.

The answer: One. Meanwhile, we had 24. We were planning on a combined session this afternoon anyway. Because of the numbers, Peter combined us a little earlier.

As a result, we picked up our operation from the large ballroom-type environment we had begun and moved to a dining room off the side of the restaurant. It’s a smaller room, but it has a number of advantages. Not only does it have windows — and man, that sunlight looks great — but also the rumble of the air conditioner is much less than it was in the larger room. I don’t think my big mouth had any trouble cutting through the din, but Tonia and Kris will probably find the noise level here easier to deal with.

Kris begins

Breaking in the new venue this morning was Kris, who is giving a talk on map graphics. As you can imagine, her examples are nothing short of astonishing. After all, she runs the most impressive mapping operation on the planet: National Geographic maps.

At this very moment, she’s showing us a map of India, marked up by editors with changes and edits. There must be a hundred — at least — marks on the proof. In fact, over on the left, there is an index to the editing marks.

Edits on the map of India
Egads!

Moments ago, we had our first glitch of the week. The power here in the Manila Hotel went off. Our Macs stayed powered — of course — but no power means no projector. Quick-thinking Tonia jumped in with a quick question to keep things rolling. By the time Kris answered, the power was back on. Crisis averted.

I probably used too many words in my last blog post, which drained the electrical grid. My bad.

Kris talking maps

Kris showed a large number of wonderful National Geographic pieces. The funny part was when she critiqued them — we shouldn’t have done this here, we could have done better there. Meanwhile, we’re all just drooling over the slide. We’d give up body parts to have pieces like that in our portfolio and she’s pointing out the faults.

What’s great about this presentation is that Kris is showing all sorts of examples of different mapping styles. Any of them could work, but the key is to pick the one that tells your story best.

It’s all about the content. We keep coming back to that. I hope the attendees are picking up on that.

12:30 P.M. THURSDAY

Tonia is doing a fabulous job showing our class how to cover the big story. She’s shown a few big items — like the opening of a new airport terminal — but she’s mostly covering breaking news.
Tonia breaking news

She just finished telling us the story of a plane crash she and her staff covered in Toronto. She ran into trouble because she was busy drawing and didn’t have time to make sure information was coming from reporters to her graphics team and that artists were talking to each other.

Teamwork is important. Why not work together and share a byline?

In particular, Tonia said she learned how to work better with reporters.

“Writers like to know how much to write,” she said. “I didn’t know that about them. They were mysterious creatures.”

But when you can tell them specifically — I need two inches to go here — you’ll find it a lot easier to get the info you need from them to fit your graphics.
Attendees in the new venue

Tonia also showed a great quick-and-dirty method of creating nice looking topographical maps on deadline: Trace a map with pencil on tracing paper, scan it into Photoshop and then use the magic wand and paint tools to tint the map. The effect was wonderful.

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Manila workshop: Day five - 10 a.m.

7 A.M. THURSDAY

So I finished dinner last night, went up to my room and turned on the TV. I must have faded out immediately. The next thing I knew, it was after midnight.

So I got about 10 hours’ sleep last night. Boy, do I feel better now.

My lack of sleep the previous night was due to my staying up late, tweaking my presentation. The effect in the 12-hour time change itself has been quite low. We’ll see how I readjust Sunday when I travel back the other way.

Meanwhile, the formal banquet I blew off last night was the final event of the main IFRA conference. All the editors and publishers who have been here in the hotel will be filtering out today, leaving just us design folks.

I need to spend time today reworking my scrounging show for Friday. I have all the pieces I need; I just need to rearrange them. I learned yesterday I can blog and work on my slideshows unobtrusively and keep an eye on the other speakers. Since I’m not giving a presentation of my own today, I should have no problem preparing.

10 A.M. THURSDAY

We were delighted this morning to discover our group had grown. We now have 24 in the graphics session. In addition, Peter is speaking about page design over in the next room. I’m not sure how many folks are in his session. At least two that I know of. I’ll try to check later.

Thursday crowd

As I type this, Tonia Cowan is speaking on 3D graphics. She’s showing a lot of her own stuff, but also wonderful Newsweek stuff by Karl Gude and the incredible alien entity that calls himself Kevin Hand.

Moments ago, Tonia showed us a trick she learned from — yes, you guessed it — Javier Zarracina of The Boston Globe. Javier, if you’re out there: You’re famous around the world, dude.

Tonia has showed us several reasons why drawing 3D graphics can beat hell out of conventional vector drawings. The drawback, of course — I’m letting my natural skepticism show here — is that 3D ain’t fast.

Well, Tonia showed us how to do it more quickly. Don’t overdraw, trade virtual models with other artists, integrate photography with your work — there are lots of things you can do to meet your deadline with 3D graphics.

Tonia speaks on 3D

“Lightwave is a wonderful program,” Tonia says. “But it is rife with glitches.”She showed us how to model a simple floor plan. The trick: Keep the basic drawing in Illustrator very, very simple. (Note to Bob Voros, my right-hand guy back in Norfolk: Yeah, man, we learned that one the hard way last month!)

She also showed us common glitches. If your polygon in Illustrator isn’t closed, then Lightwave won’t give you a working 3D shape. She demonstrated on-the-fly troubleshooting.

Great, great stuff. This kind of nuts-and-bolts instruction is just what this crowd needed after all the theory and journalism-angle stuff I covered yesterday.

And, of course, the examples she’s showing are fabulous. Tonia’s work and Kevin’s work is second to none.

Tonia, by the way, spent years working with Karl and Kevin at Newsweek. She’s been graphics editor of The Toronto Star for about four years.

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Manila workshop: Day four - 7:30 p.m.

7:30 P.M. WEDNESDAY

My back-to-back afternoon sessions seemed to go well. At the least, none of the attendees threw rotten fruit at me.

Icubs page

I illustrate teamwork with a page we built seven years ago at The Des Moines Register.

Lunch ran long, so my bloated slideshows pretty much filled the afternoon. We had time for a few questions and answers, but we broke in time to let folks change for the formal awards banquet.

Because I didn’t sleep much last night — and because the dinner will run very late, I’m told — I decided to beg off. I’m sitting here in the hotel restaurant, again sponging off the free wifi. Tonight, I ate a burger with a fried egg on top. Very interesting.

I discovered the charge on my camera was running quite low today. And like a total dumbass, I left my charger at home. So one of the hotel drivers took me over to the Mall of Asia to buy a new charger. We found two nice camera stores there — including one that was a Canon store.

But it appears that Canon doesn’t sell the Digital Rebel camera here in the Philippines, nor does it sell the charger I need here. So I guess I’ll go without.

At least I got outside for a few minutes. That Mall of Asia is huge. Sharon and Elizabeth would love it.

I’m really, really tired. I can’t wait to get upstairs. My impatience is heightened by the fact that I’m writing this post for the second time. My first attempt was eaten by the ether.

Thursday, I personally have a light day. Tonia speaks on 3D graphics and breaking news graphics. Kris addresses map-based graphics. And Peter talks about design as a storytelling device. And we hold a roundtable discussion on running a graphics department.

My next performance will be Friday morning, when I hit the art of scrounging. I had planned quite a bit of overlap with one of today’s sessions. However, we discovered today that most of the folks already here will be the same folks here Friday. We had expected two separate groups.

Therefore, I must completely rework the presentation I had planned to give. Not a problem or anything. But it’ll cost me a few hours’ work.

I can’t worry about that tonight. I have to go to bed.

Side note: While Peter, Tonia, Kris and I are here in Manila, Jonathan Berlin, Matt Mansfield and Robb Montgomery are in London and Spain for the big Malofiej meeting. Read about it in SND’s spiffy new blog:
http://www.snd.org/update/

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Manila workshop: Day four - Noon

NOON WEDNESDAY

Peter Ong kicked us off this morning with introductions. We have 12 folks in attendance, from Malaysia, Singapore and here in Manila.

The room is quite nice, although the air conditioner is so loud that we’re forced to use a microphone. Seems a little weird with so few people. But it’s working just fine.

I took a few moments to speak about one of my pet topics: encouraging graphics departments to become more proactive. It was really more of a mood setter, a motivational speech. We’ll be touching on proactivity all day, so it was a good way to start off the day.

Peter then presented Javier Zarracina’s totally excellent riff on the relationship between comics and graphics. He made a great case that infographics are the natural decendents of comic books and comic strips. When you consider some of the wonderful hand-drawn examples Javier has done over the years, you can see his point.

Peter’s introduction

Peter reverse angle

Several attendees raised a number of questions that — to our great pleasure — will come up in the presentations we’ve prepared for the rest of the day.

One of the great take-aways from this segment: Sketching is a dying art. Learn how to sketch and learn how to do it on the fly.

As I type this, Kris Viesselman of National Geographic maps is discussing various rendering techniques for infographics. When should you use 3D art or vector graphics or hand-drawn art? The answer, it seems, can differ depending on the point you want to make.

In other words, telling the story is the important part. Your rendering technique should be dictated by your content. She showed several examples of pieces in which this did not happen — when the rendering overpowered the graphic.

Kris rendering presentation

She showed some wonderful work. But the most impressive stuff in her show was by Javier Zarracina.

Hmm. I’m detecting a pattern here. I wonder if it’s too late to add a few of his pieces to my own shows.

Curious? See Javier’s stuff from El Correo here:
http://www.newspagedesigner.com/portfolios/portfolio1.php?UserID=328
And find his work from the Merc here:
http://www.newspagedesigner.com/portfolios/portfolio1.php?UserID=4602

Javier, of course, is now the graphics editor of The Boston Globe.

Next: Lunch. And then I have two back-to-back sessions.

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