Archive for the 'Editorial cartooning' Category

Sing along! ‘Don’t know much about Geography… ‘

Thursday, January 17th, 2008

Bob Englehart, editorial cartoonist of The Hartford Courant, made an interesting error in his cartoon depicting Hillary Clinton’s win in last week’s New Hampshire primary.

It’s in the last panel. Let’s see if you can catch it:

Hillary Clinton cartoon

That’s right. He drew New Hampshire upside-down.

Editor & Publisher’s Dave Astor reports:

When contacted by E&P, Englehart replied: “Hah! I made a mistake. I was so focused on making a vertical state fit a horizontal space that I didn’t even notice I had made it upside down! Most people didn’t even notice.”

And he quipped: “I hear New Hampshire is changing its slogan to ‘Live Right Side Up, Or Die.’”

Find Englehart’s cartoon blog here. Readers comments on that particular cartoon can be found here.

UPDATE:

The Associated Press reports:

The state of New Hampshire is getting out of the business of issuing identification cards to members of the news media.

The man who handled the chore — Jim Van Dongen of the state Department of Safety — says the decision is based on the proliferation of online and specialty news outlets and technology that allows just about anyone to call himself a journalist. Van Dongen says that put him and his bosses in the uncomfortable position of issuing cards to all comers or having to decide who is a legitimate journalist.

No great loss, folks. Newspapers will have to create their own laminated press pass ID cards.

And there in New Hampshire, they’ll probably look something like this:

Upside down press pass

 

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Asbury Park photoillustration causes blown cork in governor’s office

Tuesday, November 27th, 2007

Joe Strupp of Editor & Publisher reports today

When the Asbury Park (N.J.) Press wanted a Page One image to go with a package of stories on Gov. Jon Corzine’s controversial plan to borrow money against the state’s toll roads, a mere photo would not suffice.

So Executive Editor William “Skip” Hidlay approved an illustration for Sunday’s paper showing Corzine, a Democrat, in a hat and tweed coat, opening one side to reveal cars pinned to the inner lining like a peddler offering his trinkets.

Asbury Park governor illustration
Photoillustration by Jeff Colson/The Asbury Park Press

Under the headline, “Hocking the highways,” the accompanying stories investigated how Corzine’s plan would likely increase tolls.

…The approach did not sit well with Corzine’s office, which responded Monday with a terse press release that included an open letter to the paper calling the image “a tremendous disservice.”

The governor’s chief of staff, Bradley Abelow, wrote in a press release labeled as ”an open letter to the editors” of the Press:

While working with photo editing software may be a useful tool for assembling gag photos or correcting minor imperfections, using it to manipulate the Governor - any governor - into a sinister character is not what we would expect from a responsible media organization.

As we enter the important debate on how best to restructure New Jersey’s finances to better serve the public, the free press must do so without their own opinion or agenda. Images that are nothing more than editorial cartoons morphed into photographs are fine – for the editorial page. But placement of such images on the front page of the Sunday edition demonstrates a blatant disregard for objective reporting.

 Strupp reports:

“We weren’t attempting to show the governor in any kind of sinister light,” Hidlay told E&P. “We were looking for a way to illustrate a very complex problem that is difficult to show visually.”

…The paper published the entire release as a letter to the editor on Tuesday, but Hidlay said no apology would be forthcoming. “We think the reporting is outstanding and frames the issue for New Jersey readers,” he said. “It is no different from what any other news organization has done in the past.”

Reaction to the controversy has been mixed — as you’d imagine. A reader who calls himself Puffaroo commented Tuesday on the Press web site where the open letter was posted:

Well, the APP doesn’t owe me any apologies. I thought the Photoshopped image of Corzine pretty much captured the essence of the deal. It was a riot to boot.

Another reader posted:

Responsible media organization? HAAAHAAHAheeooouuaaahaahaaa!!

He should have added: “It is, however, what we expect from the servile lackeys who serve their paymasters at the Gannett-run APP, though.”

That reader called himself DumbAsABush. Read into that what you will.

The actual story from Sunday generated feedback from readers, as well. The fourth comment posted was from Justaguy:

I see the new publisher has added Page One to the APP Opinion Pages.  

Someone called APP Reader posted:

What’s with the picture?! Has the Asbury Park Press turned into the N.Y. Post?! 

Strupp points out in his story that the partisan blogs got involved Monday. The Democratic blog Blue Jersey posted:

The Asbury Park Press editorial board has a history of partisanship, but apparently even their supposedly objective reporting is slanted. It’s pretty sad when the Asbury Park Press is putting out content on par with the Trentonian.

Another political blog, In the Lobby — which, I presume, leans in the opposite direction — felt differently: 

By publicly complaining about the photo illustration, Bradley Abelow made it into a news story. In effect, he gave it legs.

But we have to ask: Have Corzine or Abelow ever seen political advertisements — especially some of the ones that the governor’s money helped pay for?

The governor is the one who is making us wait until Jan. 8 before he tells us what he has in mind. He’s the one who’s been acting like he has something to hide.

Instead of sending out a press release complaining about the Asbury Park Press, it’s too bad Corzine and Abelow couldn’t send out a press release telling us how much we should expect in a toll hike.

Looks to me like the illustration — created by Asbury Park’s Jeff Colson — caused folks to stop and think and to form opinions of their own. Which is what any good illustration would do. 

Did this one go over the line? Is it closer to being an editorial cartoon than a page-one illustration?

What do you think?

The illustration was created by Jeff Colson of the Press. See more of his work here

Click on the thumnails below for larger jpeg views of the illustration or the whole page:

Asbury Park governor illustration, large Asbury Park front, large

Find a PDF of the Sunday page containing the illustration here (at The Newseum).

Find Strupp’s E&P article here

Find the press release from the Governor’s office here

Find the Press‘ posting of the press release — along with comments from readers — here.

Find Sunday’s APP A1 lead story here.

See readers’ comments to that story here

We first read about all this today via Romenesko

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Is there life after visuals? Yes, says the Pilot’s Larry Printz

Monday, August 27th, 2007

The Friday edition of Link featured a new free-lance illustrator whose work I enjoyed quite a bit — Larry Printz, who is also The Virginian-Pilot’s auto editor.

Larry joined the Pilot about a year-and-a-half ago, after spending 14 years as a graphic artist and then graphics editor of The (Allentown, Pa.) Morning Call.

Previously, Larry had worked as a cartoonist for the Bucks County (Pa.) Courier Times and the Doylestown (Pa.) Intelligencer. He redesigned each of those papers while he worked there.

The Virginian-Pilot’s Larry Printz

Pilot auto editor Larry Printz.

After years of graphics and editorial cartooning, Larry began dabbling in writing assignments in 1993. He started an auto review column for The Morning Call in 1995 and was eventually picked up by a syndicate.

He left the visuals side behind, however, when he jumped to The Pilot in 2006.

Larry agreed to answer a few questions for us about his career and about life after visuals:

Q. When did you get out of visuals? When you came to the Pilot? Or were you already firmly in the word side back in Allentown?

A. I was already on the word side in Allentown, which is where it started.

When I joined the Call in 1992, it had the sort of newsroom culture that allowed you to try other things apart from your job. Being a classically-trained pianist, I initially started writing about music. But soon I realized I should start writing about cars.

I like to get paid for having fun, and cartooning and driving are two things I like and like getting paid to do.

Larry and Elizabeth, May 2006

Larry and my daughter, Elizabeth, at a
big Virginia Beach car show, May 2006.

Q. How did this migration take place? It was a gradual process?

A. It was gradual, over three years. But I interviewed an amazing number of entertainers, Burt Bacharach, Brian Wilson, Paul Anka, Nancy Wilson, Jacob Dylan, Kirsty MacColl, and Stan Freberg among others.

[The writing] migrated to cars slowly, but surely. Then two news events happened in our backyard and before long, it was a regular feature.

Q. What were the two events?

A. The introduction of the Ford Taurus and Mercury Sable and a national meeting of the Austin-Healey club.

Q. You reported them?

A. Yes, then came back, wrote the story and designed the page.

Q. What was the most interesting music interview you had?

A. Burt Bacharach. Not just because of the length of his career, his extensive musical training, his extensive knowledge, but it turns out we’re related.

Burt Bacharach and Brian Wilson

Music icons of the 1960s: Burt
Bacharach and Brian Wilson.

Q. Brian Wilson struggles with mental health issues and has a long history of for giving poor — or, at least, peculiar — interviews. What was he like?

A. It depends whether he’s had his meds. I came away feeling guilty about it. This is a guy who gave so much; people want more. We should feel lucky he’s still with us making music.

Q. You had a background in writing or reporting before all this started, right? Surely you weren’t born with all those word-person skills…

A. Actually, prior to writing at The Morning Call, I had never written a story of any sort. My writing was limited to cartooning.

Pilot Drive front for Aug. 24, 2007

Larry’s section, Drive, appears in The Virginian-Pilot every Friday. That’s his column on the right; he usually writes the lead feature, as well. Which was the case this past Friday with a test drive of the new Smart car.

Q. So you’re out of the visual side, forever. And then you move to the Virginian-Pilot — one of the nation’s more visual newspapers. Is that weird, or what?

A. Oh yeah. But I find that my experience on the visual side has helped structure my writing, since I can think of the layout before a word is written.

Q. You’re still a member of the National Cartoonists Society. Do you still attend their meetings? What’s it like to rub elbows with that bunch?

A. I’ve been a member since I was 23 and still attend meetings. It’s shockingly normal, except their jokes are funnier. And despite what you might think, no one talks in speech balloons.

Brenda Starr cartoonist Dale Messick

Brenda Starr cartoonist Dale Messick.
She died in 2005.

Q. What’s your favorite famous-cartoonist anecdote?

A. I have a million of them, but here’s one…

A few years ago, I saw Dale Messick, creator of Brenda Starr and the first successful female cartoonist. She was in her early 90s, and I found her in the hotel business office surfing the web. We exchanged pleasantries and agreed to chat later.

At a cocktail reception, she was asked if she had to do it all over again, would she go into Col. Patterson’s office at the Chicago Tribune and become a syndicated cartoonist. She said, “Hell no. I’d go to California and buy real estate.”

Larry wolfs down a Philly cheesesteak

Larry gobbles down a Philly cheesesteak for a Virginian-Pilot “Taste test” feature earlier this year.

Q. While rummaging around our system for photos of you, I found a shot of you eating what appears to be a Philly cheesesteak. What was that all about? Are you from Philly?

A. Born in Philly, home to such cartoonists as Ted Key (Hazel) and Robb Armstrong (Jump Start).

Q. What was it like growing up in a big city without professional sports?

A. Yo! That hurts.

An example of Larry’s cartoon work

A sample of Larry’s cartoon work in last week’s Link.

Q. Do you miss art direction? Illustrating? Locator maps?

A. Since I am also editor of my section, I still indulge in a bit of art direction.

I do miss being a staff cartoonist, but still freelance.

I will never miss drawing another locator map, but I love it when I find one that’s particularly well executed.

Q. What advice can you give the rest of us designers and artists?

A. Words matter. A designer’s job is to amplify them without detracting from them.

A lesson I learned as a cartoonist is that the words matter more than the drawing. The drawing can be bad, but if the words are funny enough, it won’t matter. Looking at many comic strips today proves that point.

Thanks, Larry, for the interview. And best wishes for the continued success of the Drive section.

And hey, come on back to graphics whenever you get bored. I have some locator assignments waiting for you..

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Editorial cartoon has Jacksonville readers upset

Monday, August 20th, 2007

The fuss is about this editorial cartoon, drawn by Ed Gamble, the cartoonist for The Florida Times-Union in Jacksonville. It ran Friday:

 Ed Gamble cartoon from Friday, Aug. 17

Times-Union reader advocate Wayne Ezell, in a column posted with a Friday timestamp, wrote:

Expressions of outrage came quickly, including from the local president of the NAACP.

“Highly offensive and racist,” is how Charles Anderson described the cartoon.

It was wrong to suggest that the growing “Don’t snitch” phenomenon is limited to the African-American community and use of the terms “ho” and “nuttin’ ” were over the top, according to Anderson. Phyllis Hall said everything about the cartoon was offensive.

“Most of us are tired of the crime,” she said of Duval County’s murder rate, which is the highest in the state. “But I don’t think demeaning the culture of a race of people is necessary.”

…The cartoon came after police assertions that a “Don’t snitch” culture has impeded efforts to solve crimes in Jacksonville. A CBS 60 Minutes segment last Sunday focused on the growing problem, especially in inner-city neighborhoods, and how some rap artists have encouraged it.

Gamble conceded that the term “ho” is demeaning to women, but added, “I was making a point that rappers are demeaning to women.”

He is troubled by the influences of such things as offensive rap lyrics, drugs and no-snitch messages, Gamble said, and his commentary is meant to focus on those issues.

Read the column at the Times-Union web page.

Find Ed Gamble’s work online here.

This item via Romenesko.

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The power of a local editorial cartoonist

Wednesday, July 18th, 2007

Editorial Cartoonist David Fitzsimmons of The Arizona Daily Star ranted Sunday about this field, which seems to be dying a little faster than the rest of the print journalism field:

Cartoonists, right and left, are being erased from newsroom budgets. Kenneling and feeding a rabid local cartoonist seems like a poor bargain when benign drawings scrawled in distant newsrooms about distant topics are available for peanuts.

Therein lies the value of the local cartoon. Occupying a space the size of a Pop-Tart on our nation’s opinion pages, the hometown cartoon is a unique local voice addressing issues.

The New York Times has no staff editorial cartoonist because it views cartoons as a grotesque, low art form that oversimplifies and distorts the truth to convey an opinion.

Bingo! A sharp, unforgettable cartoon does all that in an instant.

A cartoon doesn’t bother to carefully prosecute the accused with arguments. That is the realm of the editorial writer. A good cartoon condemns and executes on the spot.

Fitzsimmons is a great example of the good a local cartoonist can do in a community. Can you imagine the impact this has on a local opinion page?

Tucson Roads

Here are a couple of recent samples regarding national issues:

Immigration

McCain
Funny stuff. Kudos to David. And kudos to The Arizona Daily Star for continuing to employ him.

Contrast this with The Northwest Daily Herald, in the ‘burbs of Chicago. Not only did they lay off their local cartoonist, they were caught last week bragging about their cartoonist in a TV promo:

David Miner of The Chicago Reader wrote last Friday:

An uncle who hadn’t seen Scott Nychay for a while asked him at a family party a few weeks ago how things were going at work.

The Northwest Herald laid me off last October, Nychay replied. Then why, a puzzled cousin asked, is the Herald bragging about you on TV?

The Herald had featured Nychay in TV ads before. It had put his face on billboards. But this ad he knew nothing about.

It turned out to be a 15-second spot running early in the morning on WBBM TV, the Herald’s “news partner.” Thanks to an understanding between marketing departments, the Herald advertises on WBBM and WBBM advertises in the Herald.

“More than 60 awards in 2005,” the spot says, “including: best-overall news-paper, AP top-ten sports section, and Fischetti editorial-cartoonist honor. Maybe that’s why more people in McHenry County read the Northwest Herald than all other papers combined. The Northwest Herald — closer to home.”

…Monday I got Nychay’s old boss on the phone and asked him to explain the ad. The explanation, in a word, was Whoops!

Chris Krug, group editor of the Herald, the Kane County Chronicle, and other regional papers in the Shaw Newspapers chain, says the ad was created in 2005; an updated version began running last July (a few months before Nychay lost his job) between 5 and 6:30 in the morning — a classic out-of-sight, out-of-mind time slot. “I’m grateful you brought it to our attention,” Krug told me.

“…This was clearly an oversight on our part and not an attempt to gain ground through the work of a former employee.

“I know the ad’s been pulled. It was pulled this morning.”

Nychay did pretty decent work, too. Here’s the only example I can find online, though:

Nychay example

Read the Chicago Reader piece here:
http://www.chicagoreader.com/features/stories/hottype/070713/

Read Fitzsimmons’ rant in the Sunday Arizona Star:
http://www.azstarnet.com/opinion/191633

Find Fitzsimmons’ cartoon library here:
http://www.azstarnet.com/sn/fitz/

See Fitzsimmons’ take on a typical day in the life of an editorial cartoonist here:
http://www.azstarnet.com/kphotos/15%20adayinthelife-g1.jpg

Items on both cartoonists are via Romenesko:
http://www.poynter.org/column.asp?id=45

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Cartoonist Doug Marlette killed in car crash

Tuesday, July 10th, 2007

[UPDATE: I posted this Tuesday but then rewrote it extensively Wednesday morning.]

The Tulsa World reported Tuesday:

Pulitzer Prize-winning editorial cartoonist Doug Marlette was killed Tuesday morning in a car crash.…The North Carolina native was riding in a car on a state highway near Byhalia, Miss. just before 10 a.m. Tuesday when the accident occurred. Byhalia is about 30 miles south of Memphis in northwest Mississippi.

Marlette had been in Charlotte, N.C., for the funeral of his father, Elmer Monroe Marlette. Services were held Friday.

Read it here:
http://www.tulsaworld.com/news/article.aspx?articleID=070710_1__MEMPH35828&breadcrumb=Breaking%20News

The (Raleigh) News & Observer reported:

Marlette, who lived in Hillsborough and Oklahoma, was on his way to Oxford, Miss., where high school students were preparing his musical “Kudzu” to present at a festival in Scotland in August. The play’s director had picked Marlette up at the airport in Memphis, Tenn., and was driving him to Oxford when he lost control of the Toyota pickup on a rain-drenched highway soon after 9:30 a.m. Marlette, 57, was killed instantly when the pickup hydroplaned and struck a tree, the Mississippi Highway Patrol reported. The driver, Oxford High School theater teacher John Davenport, 33, was taken to a hospital with relatively minor injuries. 

Read The N&O story here:
http://www.newsobserver.com/news/story/633374.html 

Wow. What a tragedy.

I always felt a bit of kinship to Doug Marlette. When I started drawing editorial cartoons for what was then called The Evening Herald of Rock Hill, S.C. (Circulation: 30,000) in 1983, Marlette was well-established as the cartoonist of The Charlotte ObserverThe Herald’s main competition, up the road in the big city. 

Marlette

I can’t say he and I competed — he was the full-time professional and I drew mostly local issues, twice a week — but yeah, I always kinda felt like we were going head-to-head. Every morning, I’d dig into the Observer’s opinion section to see what he drew. Politically, Marlette was so far to the left of me that he made me look conservative.

Ed Williams was Marlette’s editor during his time in Charlotte.

I’ve known Doug — and been exasperated by him, and loved him — more than 30 years. He’s the only person I’ve worked with in journalism whom I consider a genius.

I was his editor for several years. It was a challenging relationship. He was bursting with provocative ideas. I decided whether he could put them in the newspaper. We did not always agree.

As a young cartoonist he often struggled to develop a concept into a cartoon. One day, immobilized by artist’s block, he went home early, leaving on his desk a note that said, “I can’t go on.”

With anyone else we might have feared it was a suicide note. With Doug we knew it was a passionate young man’s frustration at the difficulty of focusing his astonishing talent. 

Read Williams’ memories of Marlette here:
http://www.charlotte.com/171/story/192520.html 

Among the big issues in the region at the time was Jim and Tammy Bakker and the PTL club. As Marlette wrote at the Columbia Journalism Review:

Jim Bakker finally resigned in disgrace from his PTL ministry, and I drew a cartoon of the televangelist who replaced him, Jerry Falwell, as a serpent slithering into PTL paradise: “Jim and Tammy were expelled from paradise and left me in charge.”

PTL cartoon

One of the many angry readers who called me at the newspaper said, “You’re a tool of Satan.”

“Excuse me?”

“You’re a tool of Satan for that cartoon you drew.”

“That’s impossible,” I said. “I couldn’t be a tool of Satan. The Charlotte Observer’s personnel department tests for that sort of thing.”

Confused silence on the other end.

“They try to screen for tools of Satan,” I explained. “Knight Ridder human resources has a strict policy against hiring tools of Satan.”

Click.

Read more about that here:
http://cjrarchives.org/issues/2003/6/satan-marlette.asp

The Wednesday Washington Post related this tale:

“Since I heard the news, I have been thinking about all the people he [ticked] off,” says John Shelton Reed, who helped form the Center for the Study of the American South at the University of North Carolina and was a longtime Marlette friend. Off the top of his head, Reed lists the targets of Marlette’s lampoons: Jim Bakker, Catholics, Muslims. “I can’t think of a religious group he didn’t offend. He even did a cartoon that upset the Episcopalians, and you know how hard it is to upset Episcopalians.”

Read the Washington Post story here:
http://www.washingtonpost.com/wp-dyn/content/article/2007/07/10/AR2007071001898.html

Years later, I found myself in Athens, Ga., cartooning for what were, at the time, twin dailies under the same ownership: The Athens Daily News (a.m., 10,000) and The Banner-Herald (p.m., 12,000). And darned if the nearest major metro, The Atlanta Constitution, didn’t hire Marlette away from Charlotte, putting us “head-to-head” once again.

And then, to top it off, Marlette won the Pulitzer that year. Showoff.

See the cartoons that won the Pulitzer here:
http://dougmarlette.com/pages/pulitzTOONS.html

I eventually phased out of cartooning and got serious about infographics and news design. But I’ve always kept a huge interest in cartooning. Meanwhile, Marlette left Atlanta and worked for years with Newsday. He also drew a Southern-themed comic strip that I loved, “Kudzu.”

Kudzu

Flash forward a few years later when I worked at The (Raleigh, N.C.) News & Observer. Sharon and I bought tickets to see the NPR talk show, Whad’ya Know, broadcast live from the campus of the University of North Carolina. Much to my delight, one of the guests Michael Feldman had on the program that day was Doug Marlette.

Walking out of the auditorium that afternoon, I was happily babbling away about Marlette when I suddenly became aware the man was walking about eight paces in front of me. With some prodding from Sharon, I stepped up and introduced myself to him.

We must have chatted for maybe five minutes. He was the nicest guy.

Marlette worked for The Talahassee (Fla.) Democrat for a while and then moved to the Tulsa World. That’s for whom he drew when he died Wednesday.

Celebrity cartoon

Marlette’s final cartoons can be found here:
http://tulsaworld.com/opinion/marlette.aspx

Find Marlette’s web site here:
http://dougmarlette.com/ 

Marlette published a number of books — mostly collections of his cartoons, but also two novels. The most recent, Magic Time, came out last fall. From the review in The New York Times

Doug Marlette, a self-aware Southern journalist and a promiscuous position-taker who worked briefly, years after McGill, for the same paper, doesn’t turn tail and doesn’t have much respect for those who do. Styling himself an “equal opportunity offender,” he’s spent decades attacking hypocrites and blowhards with his Pulitzer Prize-winning editorial cartoons, in his “Kudzu” comic strip and most recently in fiction. “My talent is like a pit bull on a very long leash, and each day when I take it out for a stroll I hold on for dear life,” said the cartoonist-protagonist of Marlette’s first novel, “The Bridge” (2001). There’s no question Marlette was talking about himself.In “Magic Time,” Marlette’s second novel, he’s trying to put that dog on the scent of something big: his own vision of the South and Southerners, and, indeed, of America. Marlette wants to hunt out and attack the seminal issues - race, history, shame - that McGill wrote about. So he walks the trail back to the same moment, the early 1960’s, in a place, Mississippi, where choices were stark and, yes, very much required, yet many Southerners tried like hell not to make them.

I Loved this opening to Wednesday’s Washington Post story:

And then there was the time Doug Marlette joined a couple of friends on a porch in Beaufort, N.C., to watch wild ponies in a distant field.

“Doug sat there for about a minute,” recalls Bland Simpson. “It was all Doug could do to sit still. He was getting more and more agitated. Finally, he jumped up and said: ‘This is just too peaceful! There is nothing here for my free-ranging paranoia and hostility to light on.’ ”

He headed downtown to buy a newspaper.

I think we lost someone special Tuesday.

Best wishes, Mr. Marlette. 

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