Archive for the 'Magazine design' CategoryPage 2 of 2

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Yet another (false) cry about visual plagiarism

Oh, brother, am I getting tired of this subject…

On the left is last month’s issue of The New Republic. On the right, the new issue of Time magazine:

Visual Plagiarism again?

Naturally, the editors at The New Republic got all snotty about it:

We don’t want to say that this week’s cover of Time is a rip-off of our HillarAck cover that came out last month, but–oh, whatever–they totally ripped us off! All the way on down to the cover line, too: “There Can Only Be One” vs. “We Have To Choose One.”

Now, see here. Composite faces are nothing new. They’ve been around for years. And that headline? Ever heard of a little movie/TV show called The Highlander?

But then along comes Mixed Media columnist Jeff Bercovici of Condé Nast Portolio to set everyone straight:

Time’s managing editor, Rick Stengel, says TNR has no cause for complaint:

If those wonderfully wonky folks at TNR (and I used to be one of them) watched a little more of the NBA, they would realize that the inspiration for this week’s cover was the striking ad campaign the NBA is using for the playoffs.

There can be only one

In fact, we say so on the magazine’s index page. And in what is certainly a first, the NBA is doing a little cross-promotion with us on the cover.

The New Republic’s editors responded by updating their blog post:

UPDATE: Time’s cover is derivative (not just of us).

As someone commented at Portfolio:

Newsweek cover

Just give it a rest, guys.

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Two photojournalistic controversies

A couple of photojournalistic controversies were in full-blown fury by the end of the week.

Controversy No. 1: The Case of the Rampant Photoshopper

Carrie Niland, a photo editor with the Seattle Times, recently discovered a photographic deception involving a former intern.

Niland writes in her blog that the photo…

…recently ran in a national photo magazine. While talking to one of our younger photographers about the toning and light in the photograph, we happened to do an archive search and discovered the former intern shot the picture during his internship for the paper.

Here’s what won a College Photographer of the Year award in 2005 and appeared in a Photo District News magazine article last month citing the former intern as one of the top 30 photographers under the age of 30:

PDN magazine photo

Here’s how the photo appears in the Seattle Times‘ archive and how it looked in the paper when it ran in 2005:

Seattle Times photo

Niland writes:

We discovered the toning/copyright issue when talking to a younger photographer who was curious about limits and what is allowed and what isn’t.

If one of our photographers turned a photo like this in while shooting for us, there would be severe consequences. But yet photojournalists are doing it all over the world and being rewarded for their work. This photographer received national attention—both by placing in CPOY and then in PDN with this photograph.

What message does this send to photographers that are doing good work that is honest and straight-up? And how do we help photographers think about what they are trying to say with a picture IN the camera and not afterwards using a computer?

And she adds, in a later post:

This picture was shot for a newspaper, and is owned by that newspaper. I see no logical, ethical reason for it to be altered. Not for a contest (either CPOY or PDN)…

I am not saying that dodging and burning shouldn’t be done. But I think this picture goes beyond “burning the edges down to take away from distracting features” that the photographer claims.

See more work by this former intern here.

Brouhaha No. 2: The Case of the Surly Iwo Vets

The Business & Media Institute — an apparently politically conservative web site — reported this week about World War II vets who are offended at this week’s Time magazine cover.

Time abandoned its red-edged design motif for only the second time in 85 years to present a special issue on global warming:

Time magazine cover

TB&MI’s Jeff Poor reports:

Donald Mates, an Iwo Jima veteran, told the Business & Media Institute on April 17 that using that photograph for that cause was a “disgrace.”

“It’s an absolute disgrace,” Mates said. “Whoever did it is going to hell. That’s a mortal sin. God forbid he runs into a Marine that was an Iwo Jima survivor.”

The man who led the platoon that raised the flag over Iwo Jima’s Mt. Suribachi in February 1945 — Keith Wells — wasn’t too damn happy about the Time cover, either:

“That global warming is the biggest joke I’ve ever known,” Wells told the Business & Media Institute. “[W]e’ll stick a dadgum tree up somebody’s rear if they want that and think that’s going to cure something.

The illustration is credited to Arthur Hochstein, the art director for Time. We presume Mr. Hochstein will be on guard for angry octogenarian Iwo Jima survivors who hope to sneak up behind him with trees.

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Student designers of the year announced

Congratulations to this year’s student designers of the year, as selected at the SSND judging this week at Columbia, Missouri.

Designer of the year in the daily category is Kate LaRue, a grad student at the University of Missouri. A few samples of her work:

Kate LaRue sample 1 Kate LaRue sample 2 Kate LaRue sample 3

In the non-daily category, the winner is Rob Byrd of Tempo magazine at Coastal Carolina University in Conway, S.C. A few samples of his work:

Rob Byrd sample 1  Rob Byrd sample 2  Rob Byrd sample 4

This year’s judges were Reagan Branham of the St. Louis Post-Dispatch, Greg Branson, art and design director of The Kansas City Star, and Gayle Grin, art director of the National Post in Toronto and president of the Society for News Design.

The folks in Missouri live blogged the judging this week. Read all about it here.

Mizzou’s Joy Mayer tells me they hope to post winning entries at Flickr. Find the feed here.

Online entries are being judged elsewhere. Winners will be announced April 21, I’m told.

Congratulations to the winners!

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Friday visual journalism roundup

A roundup of eight — count ‘em, eight — visual journalism items for your Friday reading pleasure…

LATEST YOUTUBE STAR: RICHARD CURTIS?

Well, he’s not getting quite as many hits as a RickRoll.

But hey, he’s Richard Curtis, Managing Editor for Design, Photography and Graphics at USA Today and he’s got a lot to say about news design, graphics and the early days of “MacPaper.”

Richard Curtis

Michigan State’s outstanding Karl Gude posted a series of six video interviews with Richard at YouTube. You can find them all easily, however, on VizEds‘ latest videos page.

QUAD-CITIES’ BILL BOOTZ RETURNS TO OKIELAND

Bill Bootz, Assistant Managing Editor for Presentation at the Quad Cities Times, announced this week he was stepping down because of family reasons and returning home to Oklahoma City.

Bill Bootz
Bill at the VizEds lunchon
at SND/Houston, 2005.

Bill went to the QCT in August, replacing Greg Swanson. Bill had been a sports copy editor and then sports news editor and then Presentation Editor of The Oklahoman, working in Oklahoma City for nearly ten years in all.

Best wishes to my good friend Bill. Please take care.

COMPETING REDESIGN PROJECTS? YOU’RE NUTS…

Entertainment Weekly magazine wants to redesign.

But rather than hire a consultant to work on it — you know; how it’s usually done — the magazine is holding what’s being called a “bake-off”: Multiple redesigns are underway, with the publisher to pick the winner.

Women’s Wear Daily reported this week:

According to sources close to the title, John Korpics, Paula Scher, Geraldine Hessler (the magazine’s art director) and Richard Baker are all said to have presented redesigns for EW. The process is based on what the magazine publisher did with the redesign of Time, when Pentagram’s Luke Hayman was the winner of that contest.

It’s nice to see that there’s an in-house proposal coming.

Oh, and a clue for the contestants: Make sure you use Gotham as your main headline font.

AT YOUR NEWSTAND NOW: NATIONAL GEOGRAPHIC PARODY

The infamous Harvard Lampoon has done it again. This time, their target is National Geographic.

Says the Lampoon’s web site:

The issue’s cover features socialite and Harvard Lampoon “Woman of the Year” Paris Hilton as she’s never been seen before: sexy and glamorous. More shocking than Lindsay Lohan’s pictorial spread in New York magazine, Paris Hilton strips down as an homage to superhottie Jane Goodall in “Paris Hilton After Dark—Your Wildest Animal Fantasies.”

Harvard Lampoon cover

Other features include:

• Top Ten Rainiest Rainforests—Will this be the Amazon’s year?
• Mongolia’s Wildest Waterparks
• Baskets on Heads—A Retrospective
• Native Girls Gone Wild
• What the Beijing Olympic Committee Doesn’t Want You to Know
• Boobs You Can Look at in the Dentist’s Office

These guys are a scream. I have a number of their publications in my collection, including the Time parody from 1989 and the USA Today spoof from 1986.

Find it at a newstand near you for $5.95.

You remember newsstands, don’t you? That’s where you could find printed media. Back in my day, we printed news. On paper

CHARLES BLOW RETURNS TO THE NYT

Speaking of National Geographic

SND/Update’s Tyson Evans reported this week that the venerable Charles Blow — former graphics director and deputy design director of The New York Times who left about a year-and-a-half ago to become art director of National Geographic — is rejoining the Times.

Update quotes a memo by Times editorial page editor Andy Rosenthal:

He is returning to us as a columnist, but an entirely new kind of columnist — a visual columnist, if you will. Charles will do his own Op-Charts, lending his formidable skills and distinct style to that form of opinion journalism. And, equally exciting, he will create a new kind of journalistic space on our website. I’d call it a blog if I were given to using that word. Charles envisions a gathering place for visual journalists, especially those who use numbers and images and charts to express opinion.

Sounds incredibly interesting. And there’s no one better than Charles to pull this off.

SLATE SAVAGES NYT‘S REDESIGNED A SECTION

Speaking of The New York Times

Slate’s Jack Shafer doesn’t like the expanded “Inside the Times” summary feature The New York Times kicked off two weeks ago.

He doesn’t like it at all:

For ink-stained page turners, it was as if the quicksilver Times had put out deck chairs and free tea and invited readers to linger over the news—instead of bolting after it like wild dogs. For many veteran readers of the Times, these magaziney table-of-contents pages fit like a loose suit and read like a celebration of white space.

What did the paper cut to accommodate this expansion? Tom Bodkin, assistant managing editor and design director at the Times, says the paper’s new kickoff doesn’t come at the expense of any inside news or features. And rather than trying to ruin the paper with a Chinese-restaurant-length menu, Bodkin asserts that he is trying to improve the paper.

The sarcastic italics on “improve,” in that last sentence, are Shafer’s, not mine.

In case you’ve not seen it, here’s the deal: The NYT used to have a page of summary on page A2. It was essentially a capsulized index. A lot of papers do this.

The new format includes two facing pages — A2 and A3 — of summary-index material and then a fourth page — A4 — that includes summaries of stories at the NYT web site as well as the day’s corrections.

Shafer says:

Now the newspaper reads as if it begins with three speed bumps.

Shafer seems to feel that this increased emphasis on summaries comes at the cost of newshole. Not an unreasonable objection.

Bodkin doesn’t help by getting defensive. Shafer quotes him as responding:

“The criticism I’ve heard is, ‘We’ve got to plow through four pages until we get to the real news?’ You know, plowing through four pages? I feel like I’d like to put together a little video that shows you how to turn two pages,” Bodkin says. “If you’re not interested in that two-three feature, skip it.”

Heh. At least they didn’t screw with the crossword.

Read the whole thing here.

How did Shafer even see the new summary pages? As we recall, Shafer loved the 2006 redesign of the Times‘ web site so much that he canceled his print subscription. And he encouraged us all to do the same.

WHY NEWSPAPERS ARE INEFFECTIVE WITH YOUTH EFFORTS

Multimedia consultant Maegan Carberry — formerly of RedEye and The Huffington Postwrites at Editor & Publisher how newspapers usually kick off youth-targeted initiatives:

“I’ve got a great idea: Let’s assemble a team of innovative people and research new ways to attract young readers! We’ll ask Kate from the Calendar section to lead it; I’m pretty sure she has a Facebook page.”

…The fact is: Kate is paying lip service to your project while she’s logged on to mediabistro.com looking for her next job in online media on company time.

Not only does the crusty old guy with the police beat and Star Wars action figures on his desk creep her out, but why would any intelligent, ambitious storyteller train in print journalism anymore unless she aspired to put Barbara Ehrenreich’s “Nickled and Dimed” poverty to shame with her first-person account of being laid off and homeless?

Her nut graf is that the folks who are, in fact, on the cutting edge of new media are:

[not just] courting young readers. We’re building a new approach to journalism and the dissemination of information in our global society.

It’s not a committee or a font or an A1 story about “American Idol.” It’s a shift in the way we view ourselves and the news business initiated by leaders who instill the attitude as a virtue among their team members.

It’s blowing up that thing you hold in your hands and trying something drastically different with a sense of urgency. It’s the building of multi-media communities where social networking tools will bring us away from the speculation of editors at desks reading wire stories and closer to a model where users organically define what is newsworthy and technology will deliver it in the packaging that makes sense.

Powerful stuff. It’s worth a read.

APPLE TO NYC: DROP DEAD

Wired reported Thursday that Apple computer has filed an opposition to New York City’s trademark application for its new GreeNYC publicity push.

The problem? Apple says that the city’s “Big Apple”-themed logo is too similar to its own logo:

Apple logos

Wired reports:

The Cupertino, California, company calls for the trademark to be denied, claiming the city’s logo will confuse people and “seriously injure the reputation which [Apple] has established for its goods and services.”

New York says: Getdafugoutaheya.

“The city believes that Apple’s claims have no merit and that no consumer is likely to be confused,” says Gerald Singleton, the intellectual-property lawyer representing the Big Apple. “This well-known city is using its new design in a variety of contexts that have absolutely nothing to do with Apple Inc.”

Hey, I love Apple as much as anyone. But they’re way off base here. This opposition must be the brainchild of the same corporate genius behind the push to shut down computer news and rumor sites.

If Apple succeeds here, what’s next? Forcing NYC to call itself The Big Banana? A restraining order against Granny Smith?

Until next week, this is your humble blogger, Charles Pomegranate, reporting…

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NYT profiles Mad magazine fold-in guy Al Jaffee

In case you missed it, The New York Times ran an interesting piece about Al Jaffee, the artist who creates — among other things — those Fold-in features that have appeared on the back page of Mad magazine over the past 44 years.

The TimesNeil Genzlinger writes:

Mad is, incongruously, a publication that seems to cultivate longevity, as evident from artists like Mort Drucker (first appearance, 1957) and Sergio Aragonés (1963). No current contributor, though, goes back further than Mr. Jaffee. And while other Mad features, like Spy vs. Spy, have changed artists over the years, only Mr. Jaffee has drawn the fold-in. Since the first appeared in April 1964 all but a handful of specialty issues of the magazine have had one.

“A number of months ago I counted, and I came up with something like 396,” Mr. Jaffee said. “I must have done No. 400 by now.”

Mad’s Al Jaffee
87-year-old Mad artist Al Jaffee. Photo
by Librado Romero/The New York Times

He started work on No. 4-whatever, for the issue that goes on sale in mid-May, as he has all the others: with a rough pencil sketch. This one shows an altar scene invoking the Raiders of the Lost Ark movies. Indiana Jones and the Kingdom of the Crystal Skull is due out soon, and the fold-in question is, “What frightening ancient relic will be the focus of much attention and fanfare this summer?” The folded-in answer, of course, has nothing to do with Indiana Jones.

It’s a wonderful profile, covering how Jaffee started work for Mad, step-by-step how he creates his Fold-In features and delving into his recent bout with colon cancer.

Perhaps the most interesting part is a portfolio of 23 Fold-Ins in which you have to click and drag the page in order to see the hidden picture.

Fold-in example from 1968

Make sure you check it out in the Sunday Times.

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Happy birthday, Elisa Glass

Here’s wishing the happiest of VizEds birthdays to Elisa Glass, a magazine design student at the University of Missouri. Elisa turns 25 today.

Lunch four

Elisa Glass (right) with her Mizzou classmate
Christine Chan, last fall at SND/Boston.

Elisa has worked as a designer and art director for The Missourian and for Vox Magazine. Originally from right here in Virginia Beach, Elisa earned a Bachelor’s degree in Spanish at the University of Virginia before heading to the midwest.

A few samples of her work:

Eliza Glass sample 1 Eliza Glass sample 3 Eliza Glass sample 2

Find her online portfolio here.

Elisa shares a birthday with Chris Kozlowski, design director for news and sports at The St. Pete Times, musicians Stacy Ferguson of The Black Eyed Peas and Mariah Carey, actor Brenda Song, and director Quentin Tarantino.

Plus, today is National Joe Day. Seriously. Everyone has the right today — and today only — to ask everyone to call them “Joe.”

So have a cuppa Joe and celebrate, Elisa! Best wishes!

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