Archive for the 'Visual Editors' Category

Strib’s Lisa Clausen loses her battle with cancer

Lisa Clausen, a design director for the Minneapolis Star Tribune, has succumbed to cancer. She was 51.

Lisa Clausen

Photo by The Missourian

She died at 10 a.m. Tuesday, according to a memo sent out by the University of Missouri’s Tom Warhover. Lisa taught at Mizzou two years ago as a Knight Visiting Professor.

She graduated from there herself in 1979 and obtained a master’s degree there in 1983. She also worked for the Kansas City Star, the Kansas City Times, the Colorado Springs Gazette, the San Diego Union-Tribune and the Los Angeles Times., according according to her obituary in today’s Missourian.

A longtime features design director in Minneapolis, the Strib promoted her to design director last year.

Cory Powell, managing editor for presentation at the Star-Tribune, writes:

My wife had a great memory of Lisa that I’d forgotten. We’d invited her and her husband over for dinner shortly after they’d moved here. Kristen remembered:

She was our only dinner guest who brought a hostess gift for our dog Sydney! She and her husband, Bill, love dogs. The first time we entertained them, she brought Cory and me a bottle of wine and brought Syd a bone! :)

Her impact here was really great. She was thoughtful, encouraging, passionate, wildly creative and had such strong character. She was just a wonderful person. I know I’m better for having known and worked with her.

Former Star Tribune Deputy Managing Editor Monica Moses — now a mangement and innovation consultant — writes:

Lisa and I took a weekly yoga class together the last few months. She told me it often the only time she left the house. It was a big deal for her, in her last months, to be able to drive a few blocks to yoga, and she loved the class. Whenever the moves got too strenuous, Lisa would revert to Child’s Pose until she’d regain her strength. I won’t forget looking over and seeing her in that pose, managing to breathe and move and appreciate what her body could still do. At the end of the class, when we’d be in the final relaxation pose, she’d always lie there and say, “I wish I could stay here forever.” I wish she could too.

When you asked Lisa to your house, she always brought a hostess gift — not just for you but for your pets! She was a huge animal lover — which was good because she had huge dogs. Steve, a 90-pound chocolate Lab, used to follow her around the house, waiting outside the bathroom when she was sick and putting a paw in her lap when she was resting.

Chris Clonts –senior editor, online at the St. Paul Pioneeer Press — writes:

Lisa valued the concise in design. She taught a spartan discipline that somehow saw no limits. So all I can really think of to say is this:

The world would be more beautiful place if more people designed like Lisa. It would be a better place if more people treated others as Lisa did.

The Strib design desk saw lots of folks go and come and go in the time she was sick. It’s sad to think of the folks who will never be acquainted with her, inspired by her or coached by her. I’m grateful I was able to experience all three.

Missouri instructor Jake Sherlock shares his memories of Lisa in his blog:

Even when I was a grumpy asshole, she was somehow able to get me to snap out of it. She and I had long talks on the weekends about design and how to best teach it, and I gained important new insights. I developed a better appreciation for typography. I learned how to better use white space. I found myself inspired. And I became a better teacher and a better journalist because I spent that time with her.

Lisa was a quiet force in our newsroom. She never got stressed out or upset, never complained about staying late or coming in early. She was able to leave work at work and enjoy her many friends, her interests, and Steve the dog. She was always willing to lend a helping hand, a sympathetic ear or talk through an idea. She inspired grand ideas in our design and in our journalism.

Former Union Tribune artist Paul Horn writes:

The Godzilla obit was not only our best collaboration, but it was the most fun. It ended up winning an SND award (part of my infographics portfolio) and I believe it was reprinted in a book by British design guru Edwin Taylor.

Godzilla obit

We worked in tandem, bouncing ideas and mock-ups off of each other. I think it was her idea to totally obscure the Arts hed with Godzilla’s head. She also came up with a “He’s hot, he’s T-Rexy and he’d dead” headline on the jump. We agreed to run various cover elements vertical as to mimic Japanese poster design.

Another thing I remember is how Lisa championed the package. She convinced the Arts editor that not only was our package cover-worthy but it also took up another page-and-a-half inside. Pretty incredible, especially since the movie with Godzilla’s demise was only shown in Japan!

From the Missourian obit:

“Lisa was very quiet and understated for someone so brilliant,” said Joy Mayer, design editor for the Missourian. “People wouldn’t even realize they were in the presence of a rock star.”

Bill Gaspard of the Las Vegas Sun — who worked with Lisa in Kansas City, San Diego and L.A. — is quoted by Steve Cavendish at SND Update:

Her earnestness was something we would joke about … like I was Nietzsche and she was Air Supply. I always tried to help ease that inevitable disappointment when people didn’t do what they said they were going to. She was always looking for newspaper nirvana. Maybe now she’s found it somewhere.

Funeral arrangements are pending, according to the Missourian. We’ll add to this post as we obtain more information.

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Beth Androuais, 59 other Mizzou students, headed to China for Olympics

Multimedia journalist Beth Androuais — who received her master’s degree from the University of Missouri May 16 — will join an international group of volunteers to work for the Olympic News Service in Beijing this summer.

Graduate Beth

The Beijing Organizing Committee recruited 300 English-speaking students from 13 universities — from Australia, the United Kingdom and five schools in the U.S. — to work media operations for the games. They’ll provide news releases, biographies, event schedules, results, statistics and quotes to the working press.

Nancy Armour of The Associated Press described the program last fall:

In the past, organizers have relied on English-speaking volunteers from their own countries. But [Sun Weijia, director of media operations for the Beijing Organizing Committee] said that wasn’t really an option for Beijing.

“China is not an English-speaking country. It is difficult for us to find the very qualified students,” Sun said. “The second thing is the quality of service we would like to ensure. At the Athens Olympic Games … there were some complaints from the international media.”

To avoid similar problems in Beijing, the International Olympic Committee suggested that BOCOG consider recruiting volunteers from English-speaking countries. Because so many Chinese universities already had exchange programs with U.S. schools, Sun said it was a natural fit.

The five U.S. universities: Missouri, Iowa, North Carolina, Ithaca College (N.Y.) and Emerson College (Boston, Mass). Beth says that Mizzou is sending 60 students and two faculty members: Advertising professor Larry Powell and Greg Bowers, the sports editor of The Missourian.

Beth agreed to answer some questions for us…

Q: When are you leaving for China?

A: July 1, arriving July 2

Beth Androuais in Boston
Beth at SND/Boston last fall.
Photo by yours truly.

Q: Are they putting you up in the Olympic Village or other quarters? Have they said, yet?

A: We will be staying in the international hotel at Remnin University. We will be among the 800-some-odd international volunteers staying on the Remnin University campus. I think we might have the best lodging, since our rooms will have air conditioning and I don’t know that any of the other dorms do. We’ll also have Internet access - the other dorms will, too - although I hear it will be a little slower than we’re used to.

Q: Have they told you yet what they’ll be asking you to do? Will the ONS try to make use of your specific multimedia talents, for example? Or might you find yourself typing up stat sheets and handout quotes?

A: I have been assigned to the gymnastics competition of the Olympics, along with 17 other MU students. I’m not sure if there are students from other universities also at the National Indoor Stadium. From what I understand so far, we will be gathering statistics about the coaches and athletes before the Olympics, then interviewing them during the Olympics and combining the stats, quotes and results into press releases for journalists using the ONS. I don’t think I’ll have any opportunity to do any multimedia, but I will be keeping a blog.

National Indoor Stadium

National Indoor Stadium, the gymnastics venue
for the Beijing games. In the left background, you
can see National Stadium, where the opening and
closing ceremonies will be held. Read more about
“the Fan” here.

Q: Are you a sports fan?

A: I’m a fan of the Olympics. It was always a treat to watch the Olympics when I was growing up, back when it was every four years.

Q: Does the ONS have equipment there for you to use? Or will all you students be lugging laptops and cameras with you to Beijing?

A: Well, we won’t need cameras, even those among us who are photo majors, but we will be bringing our laptops with us to do our work. I’m sure several of us will be bringing cameras, but any photos we take will not be put on ONS. Then again, we’ve been given such a small amount of information that this could be wrong by the time we begin working.

Olympic News Service web page

The web page of the Olympic News Service. Read more about it here.

Q: How long will you be there? Are you working through the Paralympics?

A: The majority of students will be in China through Aug. 28, even though the Olympics end Aug. 24. A handful of students will stay to volunteer during the Paralympics, but I won’t.

The skyline of Beijing

The skyline of Beijing.

Q: When I went to the Philippines last year, I got only one day to see Manila. It was only one day, but I enjoyed hell out of it. Will you get a chance to see any of Beijing or the rest of China while you’re there?

A: We’re going to be given a guided tour of Beijing on our first weekend. After that, I think we get weekends to explore, but we don’t have a schedule past July 11, so I really don’t know. I know any chance I get I’ll be walking around Beijing taking pictures and possibly video.

Q: Is this your first time outside of the U.S.?

A: No; half my family lives in France so I’ve visited there a few times. I’ve never been to Asia.

Beth Androuais in Seattle

Beth tours Seattle. From her Facebook gallery.

Q: In addition to your work for the ONS, you told me you’re planning to blog. Will this be a general travelogue thing? Or will you be covering specific topics of interest?

A: I will keep a blog for my family and friends, for anyone traveling to Beijing during the Olympics, including journalists, and for anyone who’s interested in general. The url is beth.androuais.com

Q: What kind of freedom will you have in your blog? The Chinese government doesn’t appear to be ready for close scrutiny of things they find less than positive.

A: I don’t care what the Chinese say about journalistic freedom during the Olympics, I’m not going to blog about sensitive issues. I don’t intend to put myself on the radar of the Chinese government more than I already have just by being an ONS volunteer.

Beth wrote me separately about her blog:

I think it will be enough to focus on an American’s visit (mine) to China, the flight, jet lag, adjustment to Chinese culture and views of Chinese everyday life in general (or as normal as Chinese life can be during the Olympics and pre-Olympics).

I won’t be edited at all, since I’m doing this for myself.

I’ve even considered writing it in French, too, since I am fairly fluent in French, to make it more accessible to more journalists. This is maybe the one time knowing both English and French will be useful, since those are the two official languages of the Olympic Games.

Back to the Q&A…

Q: So how can we help you get the word out — about your blog — to other journalists who plan to travel to Beijing?

A: Anyone reading this can tell journalists who will be in Beijing during the Olympics. The url, again, is beth.androuais.com.

Q: Any plans for when you get back? Any job leads?

A: Ha, Charles, nice try. I’ve got a thing or two I’m working on.

Q: Which is your favorite? (Left to right) Beibei, Jingjing, Huanhuan, Yingying or Nini?

Olympic mascots

A: Jingjing, the mascot that’s supposed to look like a panda. He’s the cutest and I think most natural-looking.

Beth graduated earlier this month with a master’s degree in journalism with an emphasis on convergence. She’s worked as an assistant news editor and designer for The Missourian and done convergence reporting and editing for radio and TV. She interned last summer in the multimedia operation of The Des Moines Register.

Previously, Beth spent eight months as a metro design with The St. Louis Post-Dispatch and a year as a designer for The Daily Sun in The Villages, Fla.

A few examples of her print work:

Beth Androuais sample 1 Beth Androuais sample 3 Beth Androuais sample 4 Beth Androuais sample 5

Find more — and a sampling of her video work — on Beth’s personal web site.

Read the AP story from last fall describing the volunteer Olympics News Service operation. Read the story in which Missouri’s j-school announced the program. Ditto for Iowa.

Find the Olympic News Service web site here.

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Register today for the Small-Paper Summit May 31 in Connecticut

If you work at a small newspaper, can you afford not to attend the Society for News Design’s Small-Paper Summit in Connecticut on May 31?

We’ll be meeting in the offices of the Republican-American newspaper in downtown Waterbury.

Our host for the day — Scott Griffin, design editor of the Republican-American — has been working his butt off to get the news out to folks who work at small papers and are seeking solutions for today’s challenges.

——————–
THE SPEAKERS

We have an all-star cast for you — well, actually, an all-star cast plus yours truly. But what the hell.

More about us:

Bill Ostendorf

Bill Ostendorf, is president of Creative Circle Media Consulting which has redesigned more than 300 newspapers, magazines and web sites. He’ll be talking about the advantages of small papers and show how to make immediate improvements by rethinking how you use photos and typography. Find Creative Circle’s web site here.

Vanessa Valdes

Vanessa Valdes is a features designer at the Concord (N.H.) Monitor. She’ll be discussing doing smart, effective work with few resources and things you can do with simple illustration techniques. Find her portfolio here.

Darren Sanefski

Darren Sanefski is assistant art director of the Syracuse, N.Y., Post-Standard. and an instructor at Syracuse University. Darren will talk about the simple-but-often-overlooked details that can make a small paper really sing: Architecture, grids, organization. Find his portfolio here.

Charles Apple

Charles Apple is a graphic artist at The Virginian-Pilot and your not-so-humble blogger who sometimes lapses into writing in the third person. He’s presenting a segment of his traveling “Art of Being Brilliant” show to prove that small papers can, too, do brilliant work. It’s not always about the resources, it’s about the content and how clever you are in presenting it. Find his portfolio here.

——————–
THE ISSUES

We asked our panel to answer a few questions…

Q: Is there any hope for newspapers? Should I be looking for another job instead of attending the quick course?

Ostendorf: I think there is hope and especially at smaller papers. And the world will always need artists, photographers, designers and editors. And keep in mind that while you might be working for a newspaper company in ten years, you might not be working on the main print edition. Perhaps you’ll be managing a web portal or a niche magazine. I think it’s more likely you will be working in a smaller team targeting specific audiences or outlets. But, hey, that could be better than working in that big old newsroom!

Valdes: Without question, there is hope — there will always be a need for local news, for reporters, for effective design. However, we have to be open to the idea that newspapers may not exist in their current incarnation forever, and we need to consider how we can best adapt the mode of delivery to suit readers’ changing needs. You can’t fight the internet, people.

I won’t lie and say the process won’t be tumultuous and occasionally scary, but as long as the structure is in place to support change, we should see it as a challenge, not as a negative.

You should obviously be attending the quick course — you’ll be in the company of others who are interested in discussing solutions to our problems and celebrating the things we do have going for us. If you want to find a non-newspaper job afterward, go for it.

Sanefski: Yes, Yes, Yes! When television started to get popular in the late 40’s early 50’s there were people who where predicting the death of radio. Well, 70 years later, radio is still here and going strong.

Also, with the change of telecommunication laws, newspapers can be the hub of information while spreading its vast reach into other media.

Apple: Newspapers have been here a long time. They will be here a while longer.

But — and here’s the important part — only if we continue to evolve and grow. And how better to do that than to come to the Small-Paper Summit in Waterbury? You just might learn sumpthin’.

And if you are looking for another job — come on, anyway. Where else will you find this great an opportunity to network?

Q: What is one advantage small papers have over large papers?

Ostendorf: Smaller papers are just closer to their audiences and more about local news, as opposed to national and international news that has become a commodity. Smaller papers also CAN move faster and be more innovative (they don’t always but they CAN). Most of the really interesting innovations on the web started or are more common at smaller papers, for example.

Valdes: We have a strong bond, both with the community we serve and within the newsroom itself. The staff is well-informed about local happenings, and the environment is familial and supportive. The editors applaud efforts to try new things, even if they sometimes fall flat.

The other perk is the lack of bureaucracy. That’s not to say you have no supervision, but day to day, what you put in the paper typically goes in as is. There just aren’t that many levels of editors and
sub-editors.

Sanefski: Often times small newspapers take bigger risks, which can in turn lend itself to new and innovative design.

Apple: The same advantage small cars have over minivans: They require fewer resources, get better mileage and can change direction more easily. And they’re a hell of a lot more fun to drive.

I’ve worked at big papers and small. Give me a small paper with a great sound system and a sun roof any day.

Q: What is the most important thing folks will take away from your session?

Ostendorf: I promise to make sure you will go home with a handful of things you can do better tomorrow. I promise it will be fun and that I’ll give you some info that will stick with you and change the way you behave in your newsroom. And I promise to hang around and be accessible and answer questions.

Valdes: That you can make something great with few resources, and that the smartest thing you can do is be in tune with the interests of your community.

Sanefski: Inspiration, Inspiration, Inspiration!

When I began teaching design at the university level I found great inspiration in design theory, grids and typography. These are aspects that can dramatically improve your design, yet cost very little. No matter the size of the publication, good design is imperative to the overall accessibility of the information.

Apple: It ain’t the size of your paper that counts; it’s the size of your brain. We’ll show you how to think big, how to plan big and how to work big.

We’ll inform, entertain and inspire you, then turn you loose so you can go home and kick some ass Monday.

——————–
THE VENUE

We’ll be meeting in the home of the Republican-American newspaper in downtown Waterbury.

Republican-American building in Waterbury, Conn.

How do I get there? Scott says:

If you’re westbound on I-84, it’s Exit 21. We’re in the old train station. Just look for our gigantic clock tower on the north (right) side of the highway. It’s about 100 yards away.

Where do I park? Park for free in the newspaper lot.


View Larger Map

What time will we start? 9:30 a.m. sharp. Make sure you bring a couple of pages to show — we’ll finish the day with a big critique session.

What about lunch? Sure, you can buy mine!

Seriously, Scott’s still working on the details, but it looks like we may have a sponsor for lunch. If that doesn’t work out, there is an eatery nearby.

Can I bring recruiting flyers, note pads, ink pens or bundles of my paper? Absolutely! Scott says he’ll have a schwag table for flyers, resumes, pens, papers, photos of children, spare children, etc.

I’ll need to stay overnight. Can you recommend a hotel? Done.

What else is there to do in Waterbury? If you’ll be in town Saturday night, Air Supply is in concert at the Palace Theater, just a few blocks away. Tickets are $40, $50 and $60.

Scott also suggests:

If people are staying at the Marriott, within a short walking distance there are two nice bar/restaurants: Diorio’s (slightly upscale/Italian) and Vintage. And there’s the Crossroads Cantina, which is probably louder and more fun than the other places. Plus, you can sit on a saddle at the bar.

You can find all these, by the way, in the Google map, above. Restaurants and entertainment locations are the purple dots.

Another option is New Haven (home of Yale and the hamburger), which is much hipper and happening than Waterbury, with tons of dining or drinking opportunities.

——————–
TO REGISTER

The cost of your all-day session:

Society members: $95
Non members: $150
Student and faculty members: $50
Student and faculty non-members: $75

Register here. And do it now. Don’ t wait any longer!

If you decide at the last minute to attend, come on down anyway. SND will charge you the same prices quoted here, even if you didn’t register in advance.

More questions? Ask Scott Griffin — his e-mail is on that same page. And you know how to contact me.

We’ll look forward to seeing you on the 31st!

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‘Visually plagiarizing’ Kansas daily changes A1 format

The High Plains Daily Leader, a brand-new, 7,000-circulation p.m. daily in Liberal, Kansas, has changed its A1 format.

Its first edition from May 4 is on the left. On the right is the Monday, May 12 front:

Daily Leader, before and after

Some of you are applauding (I hope). Others are wondering: What’s the big deal?

A brief recap:

1) Corporate wanks of Lancaster Management Inc. knock back The Daily Times of Liberal, Kansas, from daily publication to printing only three times a week.

2) Earl Watt, the colorful editor/publisher of The Times, walks off the job to start his own paper. Most of his staff follows him.

3) AP writes about the effort. We blog about it.

4) A kind staffer sends us a front page jpeg of the first edition. And that’s when we find that the new paper — The High Plains Daily Leader — has pretty much ripped off the look and feel of the Alan Jacobson-designed Idaho State Journal of Pocatello, Idaho.

Pocatello vs. Liberal

Much grousing and gnashing of teeth — especially my own — follows.

5) Larry Phillips, the managing editor of The Daily Leader, posts a comment to this blog claiming visual plagiarism isn’t really plagiarism:

Theft is the greatest form of flattery… always has been, always will be. There is no law against that.

6) More tooth enamel cracks. More comments are posted.

So today:

7) Tina Bridenstine, our plucky correspondent from the Daily Leader — and to whom I definitely owe multiple beers for dragging her into this whole mess — e-mails us again. On the record, even.

She writes:

The publisher was concerned when he saw the reactions people had to the first front page, so he changed the design around. I’m sure he’ll play with it more in the future, but for now, my editor (Larry) asked me to e-mail you the jpeg of the front page as it looks currently.

New-and-improved High Plains Daily Leader

Thanks,
Tina

No, no, Tina. Thank you! And again: Our best wishes to you, Earl, Larry and the whole staff there at the Daily Leader.

I disliked very much finding another newspaper’s design had been copied for the first Daily Leader editions. I disliked even more the way the ensuing conversation developed. (And you should see some of the comments I did not allow to be posted here!)

What I regret most of all, though, is the way this little shortcut took away from what my original intent was in the first place for writing about the new paper: What this staff is going through; the sacrifices they’re making for their readers is astounding.

I hope like crazy The Daily Leader develops into a huge success.

The newspaper readers of Liberal, Kansas, deserve it.

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Happy birthday, Tim Frank

Here’s wishing the happiest of VizEds birthdays to Tim Frank, creative director and deputy managing editor for visuals of the South Florida Sun-Sentinel in Fort Lauderdale. Tim turns the big five-oh today.

Tim Frank mug

Here’s what folks are saying about him:

Tim Ball, who started last month as the Sun-Sentinel’s sports design director, writes:

Even though I’ve only worked with him a short time, Tim’s one of those people who just oozes creativity… and certainly makes me wish I could make my mind work like his. Newsrooms would be livelier, healthier and a hell of a lot more fun if more of them could boast having someone like Tim as a leader.

(Plus, he seems to welcome my randomly popping into his office, just to talk people or design or whatever. And as any number of fancy managers [Scott Goldman, Kevin Wendt, Matt Mansfield, et al] can tell you, that’s something I find hard to resist.)

Sun-Sentinel designer Chris Mihal writes:

Tim is probably one of the smartest, most influential
people in my career. When people interview, I describe
Tim as the high school art teacher; he doesn’t care
when you turn your work in, as long as it’s really
good.

He’s a great person to work with, and a great friend.

You probably didn’t know, Tim was a semi-famous circus
banner painter long before he started doing all the
fun stuff with newspapers.

EDIT: Tim sent us a copy of one of these banners. Pretty funny:

Tim Frank circus banner

The Sun-Sentinel’s design director, Paul Wallen, writes:

I first met Tim Frank almost exactly five years ago.

At the time, I knew only two things about him:

1. He was some kind of creative genius who put a tiny paper in Lewiston, Maine on the design map.

2. He created Newspagedesigner.com, which I spent entirely too much time surfing.

Then, suddenly, I found myself interviewing for the position in Maine that Tim was leaving.

Many people warned me that it was a bad idea to try to follow someone like Tim for my first management job. And it was pretty damn scary, because he’d set the bar so high. I didn’t want to be the guy who wrecked what Tim Frank had created!

But here’s what I quickly learned: Tim is not only brilliant, but incredibly generous.

During those first few months in Maine, when I wondered almost every day what I’d gotten myself into, Tim went out of his way to offer encouragement. I got e-mails from him saying that I was doing a great job. He patiently answered questions and candidly shared his experiences with me. All while he was adjusting to his own new job.
And those who have been around Tim know that he does the same for everyone.

Now that I’ve spent almost a year working with him at the South Florida Sun-Sentinel, I realize that not much has changed. I still think Tim is some kind of creative genius. And he’s still one of the most supportive people I know.

Happy 50th Tim!

Glowing references for a superb teacher, leader, designer, innovator and friend.

Two things I spend a lot of time doing are recruiting and networking. And nothing — nothing! — has revolutionized those two functions like NewsPageDesigner.

Where would we be without NewsPageDesigner? Why didn’t anyone else think of it before Tim did? That’s why Tim Frank is Tim Frank and you and I are not.

Tim has been in Fort Lauderdale three years. He spent two years as senior editor for design and graphics of The Arizona Republic and six years as managing editor for visuals at the Lewiston, Maine, Sun Journal. Tim graduated from the Cleveland Institute of Art in 1981 with a BFA in photography and lithography.

There’s one more thing you might not know about Tim: In his spare time, he’s the lead singer for the music group U2:

Tim and Bono: Separated at birth?

Here’s a quick peek at some of the work Tim’s design staff is doing these days:

Sun-Sentinel staff work 1 Sun-Sentinel staff work 2 Sun-Sentinel staff work 3 Sun-Sentinel staff work 4 Sun-Sentinel staff work 5

See more in the Sun-Sentinel’s staff gallery at — you guessed it — NewsPageDesigner.

Find work by Tim’s fabulous graphics and multimedia operations in the News Illustrated blog and in The Edge gallery.

Tim shares a birthday with musicians Bobby Darin, David Byrne of the Talking Heads and C.C. DeVille of Poison, actors Cate Blanchett, Miranda Cosgrove and Tim Roth and moviemakers Robert Zemeckis and George Lucas.

In addition, today is National Dance Like a Chicken Day. Seriously.

So all you Sun-Sentinel readers out there: When you see Tim today, make sure you insist he dance like a chicken.

Best wishes for a clucking great birthday, Tim!

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Happy birthday, William Couch

Here’s wishing the happiest of VizEds birthdays to William Couch, a designer for USAToday.com. William turns 23 today (Sunday).

William Couch Sept. 2007

Couch live-blogs — I presume that’s what he’s
doing — last September at BarCamp Orlando,
a convention/workshop for multimedia folks.
Photo by Meagan Fisher.

It’s been a busy year for the furnituremeister. He graduated from the University of Michigan last May; then served a fellowship at The Poynter Institute.

Immediately afterward, William was scheduled to began an internship at The Arizona Republic. However, Tracy Collins granted William a release when Bonita Burton came calling in July with a full-time multimedia gig at The Orlando Sentinel.

And then, a little more than a month ago, Couch leaped to USA Today headquarters in McLean, Va.

Outsitting in his field

The main image from William’s promotional
campaign for the 2006 “The Intern” contest.
As you can see, he was not merely outstanding
in his field — he’s out sitting in it, too.

Couch became a household name in the news design field with his imaginative campaign and easygoing manner as he competed in the first-annual “The Intern” contest at SND/Orlando in 2006. He didn’t win first place. But he sure made an impression.

William is just getting cranked up at USAToday.com. One notable piece he worked on that you might have noticed is this nifty interactive guide to the NFL draft.

Couch wrote about it last month in the USA Today interactive design blog:

Sports first approached our Design group about creating a way for draft picks to be plotted to a U.S. map, based on where the players went to high school and college.

USA Today draft graphic

As we started to work through the data, we thought it would also be valuable to see how many players each conference took over this time range as well. What has resulted is a four-tiered approach to breaking down the data. In the first two sections, you can examine, on a state level, which high schools and which colleges the players have come from, filtering for a number of factors.

Couch’s NFL draft piece

In the third section, you get a chart plotting how many players each conference has selected by year, from 1988 to 2007, with the ability to filter down the numbers and toggle each conference line. In the fourth section, you can work through the entire database, again with a robust filter.

Perhaps what I enjoy most about this interactive is that while it’s based heavily on numbers and statistics, people who work with it will likely find trends and stories within the data, some that may be uniquely relevant to them.

Personally, I’m a recent Michigan alumnus and a native to the state; thus I’m curious to look at all of the players who’ve been drafted from Michigan, both as a college and a state, since 1988, a range that extends far beyond my time at the college. Moreover, I can compare those with rival schools in the Big Ten, and those we often compete against from other conferences.

William isn’t just a wonderful designer and multimedia producer — he’s also a gifted photographer. For example, take this shot, below, of a night space shuttle launch from two months ago.Go ahead. Take it. Loads of folks have enjoyed it via Digg and Reddit and Explore.

William describes the story behind it:

Decided, on a bit of a whim, to see the shuttle launch from the coast tonight (really, this morning), and, boy, I’m glad I did.

Due to the low cloud cover, the launch was apparently not visible from the city, which is surprising, considering that normal night launches light up the entire Central Florida sky. However, up close, the launch was visible for a few, stunning, seconds.

Couch’s shuttle shot

I considered cropping this, but was actually intrigued by the vast amount of empty night sky on the upper half. Kind of telling of the actual launch scene.

Check out William’s galleries at Flickr.

In fact, you might want to start with one of his most popular sets — one Couch calls Food Porn. I don’t know if he enjoys eating it, but he sure takes lots of pictures of it:

Food Porn

Just be warned. You’ll waste a lot of time looking and wondering why you can’t take pictures like his.

Couch doesn’t do print work any more. But when he did, it looked like this:

Couch Sample 1 Couch Sample 3 Couch sample 1

Find a few more of William’s print pieces in his NewsPageDesigner gallery. Check out his personal Web site here.

Couch butchers a pumpkin

Couch butchers a pumpkin, October, 2007.
Photo by Jason Hawkins. Creepy-ass facial
expression by William Couch.

William shares a birthday with singer Holly Valance, songwriter Irving Berlin, painter Salvador Dali, comedian Mort Sahl, U.S. Islamic leader Louis Farrakhan and Nobel Prize-winning physicist Richard Feynman.

In addition to being Mother’s Day, today is also Twilight Zone Day and Eat What You Want Day.

Best wishes for a great birthday, Mr. Furniture!

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