Archive for the 'Visual Editors' Category

Virginia Judge, visuals editor of the (Rock Hill, S.C.) Herald passes away

Sunday, March 7th, 2010

Virginia Judge, visuals editor of the Herald of Rock Hill, S.C., passed away Friday night.

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A 1982 graduate of the University of North Carolina, Virginia later earned a master’s degree from Winthrop University in Rock Hill. She spent most of her career at the Herald — first as a features reporter and editor and later as design chief — about 25 years, in all.

And she was a hell of a lot of fun to work with. We were colleagues from 1988 until I moved on to Raleigh in 1993.

Virginia met and married two great guys while working at the Herald. But she eventually lost them both. The first, Peter Judge, was a wonderful investigative journalist. I remember only too well attending his funeral. A few years later, Virginia married one of my old college friends, Geoffrey Wilcox, a business reporter. He, too, passed away a few years later.

Virginia leaves behind a daughter — a very nice young lady whom I had the pleasure of meeting three years ago.

Services will be held Tuesday afternoon in Rock Hill. Find the Herald’s obit here and the Charlotte Observer’s obit here.

Rest in peace, Virginia.

Exhibit of work by J. Ford Huffman opening in D.C.

Tuesday, November 3rd, 2009

Longtime USA Today visual journalist J. Ford Huffman is the subject of a solo art show opening Wednesday at the Art Registry Gallery in Georgetown, D.C.

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J. Ford is a sculptor. An illustrator. A creator of miniatures settings and what we used to call shadowboxes.

For example, here’s Tourist City Motel, a piece he built two years ago:

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The hotel at the bottom is a piece from J. Ford’s model train set in the early 1960s, he says. The photo in the background is his own shot of a sign in Winchester, Va. Also included are a leather bag, plastic cars, fabrics and a Fuller Brush letter opener, all antiques in their own right..

Here’s how J. Ford’s web site describes his work:

CONCEPT: In the theater, a proscenium arch frames the stage, which is the venue, the set, for a play.

In this series of assemblage works, each box, each frame acts as a proscenium arch for the stage inside and for your imagination.

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Industria Argentina includes white shell-shaped buttons J. Ford found in a flea market in Buenos Aires. From 2007.

Most of the stages are conceived and developed as narratives. Each stage offers objects, colors and textures as references, as guides and as invitations to help your mind create a story (Relax. You don’t have to think of a story. It’s all right if you just look.)

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The Star Explorer seems like a cross between a vintage Pan Am pamphlet and an episode of the X-Files. J. Ford says it was created in 2008 as “a guide to the universe inspired by a 1935 diagram.”

EXECUTION: In the studio, the artist groups elements according to theme and tone, and according to shape, color, size and spatial relationship. The objective is to make the art work together as design and as content. A work-in-progress can take days or months. The evolution from concept to execution is affected by the process and the materials. Usually at least two or three stages are in development simultaneously.

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Dollsville has a strong Hollywood feel, despite the Tara-like building facade, the rhinestones and the Barbie Christmas ornament.

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Men of Action includes contemporary plastic soldiers and a boxed children’s toy from 1932, found in St. Mary’s W.Va.

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News: A New Thing was inspired by a trip to the Newseum last year, J. Ford says.

A graduate of West Virginia University, J. Ford spent time as the managing editor of the Rochester Times-Union and the Democrat and Chronicle and helped build prototypes for the launch of USA Today in 1982. He was named USA Today’s deputy managing editor for Design in 1999.

He took a buyout from Gannett in 2008, spent half-a-year as a presentation editor for the Washington Post and then embarked on a career as a news design and management consultant, teacher, free-lance book reviewer and, obviously, an artist.

You can find the exhibit here:

Art Registry Gallery
Upstairs at Todd Christofaro
3146 Dumbarton St. (at Wisconsin), Georgetown, D.C.
9 a.m. to  6 p.m. Tuesday through Saturday.

Read more about the Art Registry here.

In addition, J. Ford will have two pieces in a group exhibit in Alexandria called “Pandora’s Box.” That exhibit runs Dec. 10 to Jan. 10 at the Target Gallery of the Torpedo Factory Art Center at 105 North Union St. Find more details here.

See more of J. Ford’s work here.

Giant infographics in print and a night on the town in Cape Town

Thursday, September 3rd, 2009

Yesterday — our eighth working day together — was a huge day for my infographics class here in Cape Town, South Africa.

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From left to right: Elsolet, Hanlie, Jaco, Morné and Salomé.
Anton is just off to the left. Out the window is a stunning view
of Table Bay.

Two projects dreamed up and pitched by my students — using the techniques they’ve learned over these two weeks — were green-lighted yesterday for today’s paper.

One was this enormously graphic look at the coach of the national rugby team (click for a larger view):

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That was by Anton, who normally builds a lot of sports-oriented pieces but rarely something of this magnitude. He told me Wednesday this was by far the most complex piece he had ever done.

He started out with a relatively modest piece that showed the cutout photo of the coach, three previous national team coaches and a few stats on each. Anton left room in the upper left for a story to appear.

His editor loved the idea but upped the stakes by suggesting Anton build the piece larger and to include more data. One-by-one, Anton added the timeline across the bottom, the bar charts in the middle and the list of games and results up top.

I suggested he write his own headline in order to show the editors what would be ideal for this space. Anton’s editor loved it so much it remained in the final graphic just as Anton placed it.

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Anton, busy on the rugby coach piece on Tuesday.

Finally, Wednesday, the editor killed the story that was to run down the left side and suggested Anton add another chronology-like element. Which meant this entire package, now, is officially an Alternative Story Form.

And it looked great today, on the back of the sports section.

Meanwhile, over on the business page, the youngest member of our class, Elsolet, put together this piece showing automobile sales among the country’s nine provinces:

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She spotted a large fever chart across the top of an old Huntsville Times page. I showed her a number of examples of across-the-page fever charts. While that’s a bit of a cliché for American papers, it’s a fresh idea for South African papers.

Elsolet paired that idea with a nice horizontal bar chart, a map of the country showing values for each province, two smaller fever trend charts, pull quotes from financial leaders and stray factoids lined up across the bottom. She designed in two columns in the center for a story.

In the end, her editors elected to move the smaller charts from the right side to the left side of the story. But for the most part, they left intact most of her design suggestions. And, like Anton’s sports piece, it looked terrific in today’s paper:

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The folks in my class seem giddy with the way their new graphics look and the way they come together. They’re excited about this new idea of pitching ideas for graphics and page designers, rather than waiting for assignments to come to them. And they’re excited — and perhaps a little nervous — about the idea of researching and reporting their own material.

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Which is a good thing. They should be excited and nervous. That means they’re not underestimating the amount of work and responsibility involved. Which means they’ll be more careful and more thorough with their content.

We’re just starting Day Nine and it’s already a hugely successful day, just reflecting on what we did in today’s paper. I’m soooo proud of all these folks and the work they’re doing.

Jaco delighted me Wednesday morning with a small gift: A couple of samples of South African jerky:

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The sausage on the left is called droëwors — literally, dry sausage. Beef, ground into a mince and then sun-dried. The bag on the right is biltong — strips of Eland meat, a local antelope — dried, spiced and shredded. I’m told this can also be made of beef, ostrich or kudu (which is another type of antelope).

In addition, Hanlie brought me an African-style shirt. She had masterminded a gift last week from the entire class, but I discovered the shirt didn’t fit. She exchanged it for a larger one. I’ll try to wear it on Friday, our last day together.

Although Wednesday started out dark and rainy, the clouds lifted and the sun came out, making for a very pleasant day. About mid-afternoon, I found there was still a cloud making the very tip of Table Mountain — they call this phenomenon the “tablecloth” — so I had to grab a quick picture:

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We worked hard all day on our various graphic projects. Again, my six students are showing a tremendous amount of initiative in pitching ideas. And the editors — some downstairs, some in other locations — are doing a terrific job of saying “yes” to these ideas.

I’d love to claim all the credit for this success. But in truth, these folks — everyone in each newspaper, I think — were already eager to make this happen. When you go into something with that kind of positive attitude, it’s easy to produce great results.

Among the informal lectures I gave them Wednesday were a primer on how Google Maps works and a review of the Revenue TwoPointZero project from last spring. I wish the R2.0 folks would take their next steps. Everyone who hears about that initiative gets excited. Yet the project seems to have stalled.

We had a few deadlines to meet — obviously — but once we finished for the day, the artists insisted on taking me out to a very local, very fun restaurant in an entertainment/nightclub district of Cape Town called Tamboerskloof (Tam BOORSH kluf).

There were restaurants and clubs of all sort. This one was Cuban:

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Just a block or so down the street, this one seemed naughty:

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(This photo is awfully blurry — I couldn’t bring myself to shoot the place with a flash. It’s called Adult World and its logo is an @ but with devil horns and a tail.)

This place here, across from our restaurant, was bought earlier this week by Disney:

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Or perhaps I’m mistaken.

At our restaurant — called the Royale Eatery — we met up with Orin, a retired graphic artist who had worked with many of my students when they first started their careers. Here, he trades stories with Jaco and Morné:

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I found Orin to be a very friendly guy and quite funny. He and I had a ball comparing notes about the early days of Macintosh graphics. The younger folks had no idea how difficult Adobe Illustrator was to use in the early days or why we had to use a separate, stand-alone application — Adobe Separator — to print color separations.

We all squeezed around one table, all eight of us. Salomé the former professional photog shot this one. From left: Hanlie, myself, Jaco, Orin, Morné, Anton and Elsolet.

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Some of the artists snickered when I ordered a “Fat Bastard” — a large, double-decker burger in which each of the patties weighs 150 grams each.

The folks here seemed to think a 300-gram burger is huge, but that translates into “only” two-thirds of a pound. Pretty big, but not too big. It sounded yummy to me.

My suspicions arose, however, when the waitress dropped off a large tray of steak knives:

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Sure enough, the burger showed up and was ginormous. I don’t think I’ve ever seen a hamburger this size before:

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The burger also contained two fried eggs — which seems to be common in these parts, for some reason — and “bacon.” However, it’s not the American-style “streaky” bacon we use on burgers back home. It’s much closer to what Americans would call “ham.”

Therefore, this was my first-ever ham-hamburger.

The entire table erupted in laughter when I attempted to pick it up. Indeed, I was a huge disaster just waiting to happen. I caught on quickly enough, grabbing a steak knife and cutting my burger as if it was a steak:

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This thing was huge. Huge, I tell you…

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…but very tasty. The artists seemed quite impressed I was able to finish the whole thing. I guess that’s why the restaurant named the dish after me.

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After a couple of beers, the staff decided to drive to a nearby hotel — Protea — where a lobby bar called Fire and Ice specializes in coffee and wonderful desserts. I found yet another sign for my collection:

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The lobby of the Protea was a scream. Whoever designed and decorated the place had a great sense of humor. The elevators each were decorated with a theme: One was a Table Mountain cable car. Another was a skin-diver’s shark cage. The bathrooms each had themes: One was a Southern U.S.-style outhouse. Another resembled a construction scaffold, high above a city. The manager’s office had a huge sign painted on its glass wall: Please disturb.

I saw this sign, that made me laugh:

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The joke? All over town, I see signs saying “To let,” which means “for rent.” I wondered if the mishap above was an accident, but given all the other funny themes, I’m not so sure.

Two of our group are smokers, so they appreciated the smoking room, just off the lobby. It’s labeled the “Coughinroom” and is filled with fake tombstones and coffins:

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Hanlie and Salomé enjoyed the room so much they didn’t want to come out:

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On the ceiling is this huge photo, giving you the impression you’re looking up out of a grave:

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Morbid stuff. But very funny.

We took seats in the lobby bar and ordered the local specialty: Milkshakes available in all sorts of yummy flavors. I ordered a lindt milkshake, which is a Swiss chocolate. I had left most of the bread off my burger, so I didn’t think the extra carbs would hurt me. And, of course, I was just fine.

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While waiting for our desserts, we passed the time chatting and taking pictures of the lobby. You know you’re in trouble, however, when you end up taking pictures of each other taking pictures:

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When the evening drew to a close, Morné volunteered to drop me off at my hotel. I was delighted to discover he drives a Smart car. I had never been in a Smart car before:

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I’m happy to report the car is much more roomy on the inside than it looks. We were pretty tight, elbow-to-elbow. But I lacked neither legroom nor headroom. And given my height and weight, that’s quite a feat for such a little car:

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I have Hot Wheels bigger than that!

So today is Thursday, our next-to-last day. It’s time to begin drawing our instructional time to a close by tying up any loose threads and to answer final questions.

We’ll be going over some of my techniques for researching graphics online — and offline as well. We’ll talk about collaborating with reporters and how to essentially barter for time.

And we’ll spend some time evaluating how far we’ve come in two weeks. Today’s stunning pieces suggest my time here has been well-spent. I couldn’t be happier, at this point.

What an experience this has been.

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Rain clouds obscure the peak of Signal Hill at about 8:30 this
morning. It should burn off quickly enough: the forecast for
today
is scattered clouds and a high of 66 degrees. Friday and
Saturday, we’re expecting mostly sunny and highs around 70.
Evening lows are in the high 40s. All this is very pleasant
short-sleeve weather for me.

Also today, we’ll be revising my travel arrangements. Originally, I was supposed to leave for home on Saturday. As it turns out, though, most of my students will be departing and my teaching and consulting colleague will go home, but I’ll have a second weekend to bum around town. I’ve been asked to stay another week and teach principles of design and proactivity to the advertising and marketing designers.

Geniet jou dag, everyone (Enjoy your day).


EXPEDITION TO SOUTH AFRICA

You’re reading chapter 15 of my journey to Cape Town, South Africa. Previous installments:

Yes, that’s Karl Gude and family on page one of today’s NYT

Monday, August 10th, 2009

Michigan State infographics instructor Karl Gude and his family don’t make an appearance in a photo. But they’re all over the first few grafs of a story on page one of today’s New York Times:

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That’s the story, stripped across the bottom. It’s about how technology has changed the morning habits of families — especially families with teenaged kids — as folks check messages and e-mail before eating breakfast, reading their newspapers or even speaking to each other.

Click for a larger view:

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The TimesBrad Stone reports:

Karl and Dorsey Gude of East Lansing, Mich., can remember simpler mornings, not too long ago. They sat together and chatted as they ate breakfast. They read the newspaper and competed only with the television for the attention of their two teenage sons.

That was so last century. Today, Mr. Gude wakes at around 6 a.m. to check his work e-mail and his Facebook and Twitter accounts. The two boys, Cole and Erik, start each morning with text messages, video games and Facebook.

The new routine quickly became a source of conflict in the family, with Ms. Gude complaining that technology was eating into family time. But ultimately even she partially succumbed, cracking open her laptop after breakfast.

“Things that I thought were unacceptable a few years ago are now commonplace in my house,” she said, “like all four of us starting the day on four computers in four separate rooms.”

Karl commented this morning via Twitter:

The article is badly distorted. I told them that we had breakfast every morning and no tech until ready for school. He made it sound like we used to be the Cleavers and now we’re awful. One son got rid of Facebook and now prefers his guitar.

Karl will shortly begin his fourth year teaching at Michigan State. Previously, Karl was art director of Newsweek and, before that, the Associated Press. And, before that, United Press International.

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Along the way, Karl worked for the legendary but doomed sports daily, The National, worked on a farm — ask him sometime to tell you the story about shooting a cow — and did all sorts of other fascinating things. Look here to find a big Q&A we did with him a couple of years ago.

Find the NYT story here.

Amusing side note: I stumbled across the story and blogged it here before I even got out of bed.

VisualEditors.com marks five years of service to visual journalists

Monday, March 9th, 2009

Five years ago today the call went out to visual journalists far and wide: Come join up. Let’s pool our resources and see what we can do together.

We thought we’d celebrate with a little trip down memory lane.

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Robb Montgomery, founder of VizEds.

Drift with us, please, back to the winter of 2004…

The Society for News Design had been around since the 1970s. Its annual workshops, quickcourses and Design, Update and award annual publications were musts for anyone wanting to keep up with industry happenings.

NewsPageDesigner had been up and running for a few years. It changed everything by giving us a place to see great work without having to wait for the next contest cycle to roll around. Folks enjoyed reading and posting comments to individual pages.

And the anonymous NewsDesigner blogger had started covering industry happenings. You had to check in every day or so to see who had changed jobs or who was redesigning.

But that was it. There was no LinkedIn, no FaceBook, no SND/Update blog, no regional ning sites. And there was to Twitter.

Does anyone remember how we communicated back then? I don’t.

Suddenly, out of the blue chilly air of the Chicago ‘burbs, Robb Montgomery created a bulletin board just for visual journalists.

Talk about the right thing at the right time. VizEds became a place for vocational education. A forum for innovative new ideas.

And, yes, a place to waste incredible amounts of time.

How it all came about:

MARCH 6, 2004

Robb Montomery — a page one designer for the Chicago Sun-Times and the Chicago Red Streak — raises his staff  over the internet sea and causes the ones to separate from the zeroes, creating a new web site: VisualEditors.com.

Robb creates the bulletin board as “KidVibe,” a name he uses for his self-published music CDs.

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‘KidVibe’, as he was pictured at the time on his web site.


MARCH  7, 2004

Robb registers the domain name VisualEditors.com.

He also logs on at his work address, officially giving VizEds two members. The bad news: They’re both the same person.


MARCH 8, 2004

Robb invites his pal Steve Cavendish of the St. Petersburg Times to check out his new web site. C-Dish logs in, giving VisualEditors.com two actual members.


MARCH 9, 2004

Robb’s new project is finally ready to officially open its doors. Robb invites folks to check it out.

I’m quick to sign up for a membership. Delighted to have a great resource like VizEds and giddy with the possiblities, I spam everyone in my address book. Robb and Steve were already doing the same.

Sixteen other members join that first day, including:

  • Mark Friesen of the Portland Oregonian — no one knows it yet, but Mark is the mysterious NewsDesigner blogger. Mark gives VizEds a huge boost by blogging about it that day.
  • Teresa Kriegsman and Mims Rowe of the Raleigh, N.C., News & Observer.
  • John Telford and Reagan Branham of the St. Louis Post-Dispatch.
  • Clif Page of the Beaver County (Pa.) Times.
  • Bill Gaspard of the Los Angeles Times.
  • Dennis Brack and Chris Kirkman of the Washington Post.
  • Jeff Glick of the South Florida Sun-Sentinel.
  • Scott Stoddard of the Greenville (S.C.) News.
  • Ken Hawkins and “haruspica23” of the Beaufort (S.C.) Gazette
  • arienne” of the Nashville Tennessean
  • hfarrant” of Panama City, Fla.


MARCH 10, 2004

More folks discover the new web site. After gathering a total of 20 names through the end of its first real day of business, VizEds collects another 18 users on its second day.

Four big-time visual journalism bloggers join on Day Two:

1. The mysterious NewsDesigner blogger — who, as none of us knew yet, had actually signed up under his real name the day before.

2. Rich Boudet, who would later become the fabulous SportsDesigner blogger

3. Nicole Stockdale, the author of the A Capital Idea copy-editing blog.

4. Tom Mangan, originator of the  famous Prints the Chaff blog

Among others signing up on March 10:

  • Emmet Smith of the Cleveland Plain Dealer.
  • Michael Whitley of the L.A. Times.
  • Tim Ball of the Wisconsin State Journal of Madison.
  • Jim McBee of the Fayetteville (N.C.) Observer.
  • Andrew Reese of the Dallas Morning News.


MARCH 13
, 2004

The new VisualEditors.com website reaches its first major milestone when Michelle Venezuela — the features editor at the Fayetteville Observer and known as “shellyval” — becomes VizEds‘ 50th member on its fifth day of existence.

It takes VizEds 17 days to sign up the first 100 members. The 200th member signs up on Day 67.

But then enrollment picks up again, as word-of-mouth spreads. The third century mark takes only 22 days after the second. The fourth, 15 days. The fifth, 20 days.


JUNE 23, 2004

One of the most popular features of VizEds is the chatroom. Members gather there after editions or on dinner breaks or on days off to discuss work, hobbies or just to grumble about their bosses.

On this date, the chatroom registers its all-time peak, when 31 users are logged in simultaneously.

It’s pandemonium. But in a good way.

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The VizEds home page, as it appeared in the summer of 2004.



OCT. 2, 2004

Vizeds holds its first in-person gathering — a party at Pizz’a Chicago, a block or so away from the Fairmont Hotel, where SND/San Jose is going on. The party is organized by Matt Erickson of the Times of Northwest Indiana.


OCT. 17, 2004

Recognizing what most VizEds users are calling the site, Robb registers the domain VizEds.com.


FEB. 3, 2005

Charles Gooch of the Kansas City Star posts a question in the VizEds forums — “Who’s your favorite new designer?” — kicking off a series of top-10 lists and related posts that becomes one of VizEds‘ first site-wide memes. Hilarity ensues.

Later that month, VizEds users donate more than $2,000 to buy a nice iBook G4 laptop — fully-loaded with a 14-inch monitor and wifi — for yours truly, who has become one of  the most prolific posters at the new site.

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Me with the new laptop at my desk at the Virginian-Pilot in
February 2005. I usually made a point of posting my VizEds
work at home, rather than at work. Besides, I didn’t have
access to the Pilot’s wifi signal anyway.

[Seriously, I never really intended to do all that I did. I was so excited about VizEds and I wanted folks to be impressed with the possiblities, so I started posting news items as fast as I could, with the intent of starting discussion. If figured if they saw good content, they'd come back and the site would grow.

Within a year or so, users were sending me items "for your blog." I don't have a blog, I'd tell them. But folks began to refer to the forums as such anyway.

Got to admit, though, we did manage to match a lot of people up with new jobs. Had I known how many people would get jobs as a direct result of VizEds, I'd have kept a list.

The laptop incident was kind of a turning point for me. From this point onward, I considered myself VizEds' only paid employee. I've tried hard to live up to that honor.]


MARCH 7, 2005

The Editors Weblog notes that in its first year of existence:

VizEds has grown to more than 1,500 members and has posted over 10,000 articles and pages about journalistic trends and techniques. Robb Montgomery, of the Chicago Sun Times, is the editor of the site.

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The home page as it appeared in early 2006.


AUG. 5, 2005

Robb produces the first VizEds podcast. Shortly, he begins pushing into video production, getting college students involved in producing multimedia for the site. In addition to its other functions, VizEds becomes an active media lab.


NOV. 4, 2005

Anne Van Wagener, in an article for the Poynter web site, writes:

One of my favorite features in the [VizEds] redesign gallery is the Zoomify tool. One of the frustrating things about the launch of a new redesign is that I can’t see all of the pages. Usually just the front page from the Newseum site. Zoomify lets you look at all the details of a page. Pair that with a podcast with the designer talking about the redesign and you have a great case study.


FEB. 22, 2007

Realizing the diary I’ve written of my experiences as a judge at the annual SND contest doesn’t work quite so well as a series of bulletin board posts, I take Robb up on his suggestion that we post my work as a blog.

We post the first three parts of my eight-part judge’s diary. We post the next five parts the following day. Robb sets it all up with a nice Podcast to promote it.

Robb set up the blog more than a year before, but I had never used it. Over the next month or so, though, I gradually warm up to the format. By the time I help teach a three-day session in Manila a month later, I’m sold. I rarely post in the forums again.

By the time the VizEds forums eventually shut down, I’m credited with 3,734 posts. And that’s not counting all the ones that were deleted during periodic spring cleaning sweeps.


MARCH 2007

VizEds registers 1.2 million page views for the month, its all-time peak.


JAN. 30, 2008

Postings to the VizEds bulletin boards have dropped off and the once-booming chatroom has disappeared.

Rather than let the momentum die, Robb creates a new-and-improved VisualEditors.com, reinventing the project as a social networking site, ripe for uploading video, portfolios and where members can essentially write their own blogs.

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The new and improved VizEds ning site as it appeared last night.


MAY 2008

VizEds expands into the field of actual hands-on education when Robb Montgomery holds the first Camp Video Journalism session in Chicago.


AUG. 28, 2008

Andrea Miller, a grad student at the University of West Virginia, publishes her masters’ thesis on the impact online communities — especially VizEds — has had on the field of news design.


MARCH 9, 2009

VizEds describes itself as “a 501(c)(3) non-profit founded in 2004. The charity operates an e-learning Web site that serves student and professional journalists in newsrooms and classrooms around the world.”

It serves 1,934 members, as of Sunday night.

Quite an animal you’ve created here, Robb. I don’t say it enough: Thanks for all you’ve done. And for all you continue to do.

And to all of you: Thanks for joining. Thanks for reading, for commenting, for participating. Thanks for fighting the good fight for visual journalism, in the face of an industry meltdown.

So what next? Where does VizEds go from here?

Tell us.